Beauty vs Beast: Audrey in the Middle

Jason from MNPP here with this week's "Beauty vs Beast" -- you're probably vividly aware at this point that this month's Supporting Actress Smackdown is tackling the ladies of 1954, especially since just the other day the Smackdowners listed some of their favorite things about that year. And what a year it was! I was pretty tempted to give this week's contest over to my favorite movie of all-time Rear Window (it's in a lifelong dead heat with Rosemary's Baby for that mantle, actually) but... well that's awfully expected of me. How many of these posts have I already dedicated to Hitchcock movies?

So I looked a smidge deeper and found a perfectly pleasant second pick -- after all, who wouldn't want to put themselves in Audrey Hepburn's designer shoes for a moment? Sabrina it is! Make like you're Billy Wilder's leading lady and choose -- Bogart's puppy-eyed businessman or Holden's suave playboy?

PREVIOUSLY Last week we brought it on with the rival cheerleading squads of Bring It On -- but who brought it bigger in the end? In a reversal of the movie's well-reason donouement we've handed our trophy to the loveable cheaters the Rancho Carne Toros! The curse of the dropped spirit stick is broken! Said Jonn:

"Team Jesse Bradford brushing his teeth isn't an option?!"

Poor Joe. This Spotlight is For Norma Desmond

When I issued the challenge of Hit Me With Your Best Shot: Sunset Blvd (1950), with the caveat that you couldn't use that final close up for Mr DeMille, I knew it would make for a great episode. What a stone cold classic it is, filled with potent images in every scene that are too often taken for granted given the combined impact of its haunting iconic opening and closing. What I had dumbly not remembered was how intoxicatingly full Sunset Blvd feels on every repeat viewing inbetween. You can go into each screening with one topic in mind ("I shall write about this") and come out with a dozen more topics boiling, your original thoughts crowded out of the mind's frame. So I must painfully set aside the self-deprecating script, the gestural bravado, the timelessness of its time capsule, its shame-trigger economics and sexuality. So much of it distracts from the real purpose of HMWYBS which is to zero in on a particular image from a public piece of art that seizes your individual imagination with its beauty or thematic resonance or what not, and discuss. 

So Joe McGillis will have to wait. Which is a shame. He's worth at least 11 essays of his own according to my easily distracted notes. They're messier than Norma's epic handwritten "Salome" opus which visually buries Joe long before she works up enough actual crazy to really bury him. [More...]

Click to read more ...

Beauty vs Beast: Mother Machine

Jason from MNPP here wishing everyone a happy Monday, and a happy July-4th-weekend-to-be - speaking of, hitting theaters this big holiday weekend is the latest movie in the unstoppable Terminator franchise... is anybody excited? I imagine it's hard for most of us to stir up a ton of enthusiasm five movies in and coming off of two entirely lackluster sequels, but I really love the cast that's been assembled so I will probably get suckered in one more time. Jason Clarke wouldn't steer us wrong... right? That said for this week's "Beauty vs Beast" let us look back at the last time the franchise was good with the movie every sequel since has been riding the fumes from, James Cameron's 1991 action classic Terminator 2: Judgement Day.You have one week to choose!

PREVIOUSLY Billy Wilder's birthday carried us up into the dark weird manors of the Hollywood Hills with a face-off between Sunset Boulevard's Norma Desmond and her post-dead boy-toy Joe, and Norma's stardust was too much for us to resist. She carried just under 80% of the vote! Said tom:

"While Joe seems to inspire those around him, Norma consumes them. She probably swallows them whole. You have to vote for someone with an appetite like that."

Beauty vs Beast: Down & Out In Hollywood

Jason from MNPP here, and I'm ready for my close-up - we're devoting today's edition of "Beauty vs Beast" to the late great director Billy Wilder, who was born on this day 109 years ago. If you had to pick your favorite Wilder picture, what would you go with? It's a query that'll break the brain of many a cinephile, so rich stands his cinematic legacy even all these decades later. I personally am torn between The Apartment (so glad I was able to hang out in the bar that Fran and C.C. frequent before it closed) and today's competitive centerpiece, 1950's Sunset Boulevard (aka still the greatest movie about Hollywood ever made), but cases made for a couple other Wilder films could probably convince me they were his be all everything too. Point being Billy didn't used to be big, he is big, and it's the pictures that got small without him. In that vein...

PREVIOUSLY Last week we wished Helen Hunt a happy birthday with a look back at her and Jack Nicholson's 1997 Oscar wins for As Good As It Gets -- facing them off y'all were decidely Team Carol with her thundering past a full 3/4ths of the vote. Explained Denny:

"Loved this film then and like it now, despite all the shit it gets. Jack is on fire - somehow Melvin doesn't come off like the complete and utter cliche he is on paper, and it's solely due to Nicholson's unique charisma - but it really is all about Helen Hunt and her warm, deeply lived-in performance as Carol. Yes the "fucking HMO pieces of shit" bit is great, but where the character (and the actress) really sings for me is in the quieter, more intimate moments. She somehow ups everyone's game when she's in a scene with them, and that's no small feat. But really, Carol wins just for being able to handle Melvin and all his bullshit."

Shirley MacLaine talks "The Apartment" at TCMFF

Anne Marie here in Hollywood, reporting the way it crumbles. TCMFF-wise, that is.

Shirley MacLaine knows how to command a room. TCM Classic Film Festival honored the Oscar winner's 6 decade career with a screening of The Apartment last night, but when MacLaine  made her entrance to a standing ovation at the TCL Chinese stage, it was clear that the honor was all ours. Dressed in red & black sequins (reminiscent of Doris Mann), MacLaine sparkled with charm. But it's not just her incredible charisma. When a sound glitch caused feedback, she turned with a mischievous gleam in her eye and called out,

"Whoever's in charge of that: Fix it!"

Much of that no-nonsense professionalism Shirley MacLaine attributed to her friend, legendary director of The Apartment, Billy Wilder...

Click to read more ...