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Entries in As Good As It Gets (5)

Wednesday
Apr282021

Gay Best Friend: Simon (Greg Kinnear) in "As Good As It Gets" (1997)

a series by Christopher James looking at the 'Gay Best Friend' trope   

Turns out, gay best friends can get Oscar nominated too. They just have to get beat up first.

Happy Oscar Hangover Week! Now is a time to rejoice in the winners we love and lick our wounds from the snubs along the way. In honor of the Oscars, we thought we would look back at a nominated example of the “Gay Best Friend.” We don’t often see Gay Best Friends get Oscar nominations or wins. Since this caricature is used more as window dressing and less like a fully developed character, there often isn’t enough meat for an actor to get awards traction. Even if they are a scene stealer, they often will fall short. That is… unless trauma is involved.

Case and point: the 1997 Best Supporting Actor race. Our first entry in the column was about the formative work of Rupert Everett in the hit rom-com My Best Friend’s Wedding. His George still stands as one of the best examples of the “gay best friend,” as he elevated the trope and crafted a fan favorite character. Some pushed for him to be nominated for Best Supporting Actor, but there was only room for one gay character in the category. Instead, Greg Kinnear showed up in the Oscar lineup for his mincing performance as Simon in As Good As It Gets, a gay artist defined by his trauma. Dear Oscar, is that really as good as it gets for this category?

Click to read more ...

Sunday
Feb192017

7 Days Until Oscar. Best Actress & Best Actor as a Package Deal

We're but one week from Hollywood's High Holy Night! With the magic number 7 today let's look at the 7 films which produced matching his & hers Oscars. This is, as you can surmise from the low number, an uncommon occurence! This rare feat requires so many perfect elements to be in place. Just being an iconic movie couple doesn't remotely cut it (notice how Gone With the Wind, Bonnie & Clyde, and Who's Afraid of Virginia Woolf don't appear to cite three quick examples) as it almost always requires two narratives beyond 'loving the film' as well as the absence of a formidable opponent without their own powerhouse narrative in not one but two separate categories.

Here are the 7 films which managed to win both lead acting Oscars... 

Click to read more ...

Monday
Jun222015

Beauty vs Beast: Down & Out In Hollywood

Jason from MNPP here, and I'm ready for my close-up - we're devoting today's edition of "Beauty vs Beast" to the late great director Billy Wilder, who was born on this day 109 years ago. If you had to pick your favorite Wilder picture, what would you go with? It's a query that'll break the brain of many a cinephile, so rich stands his cinematic legacy even all these decades later. I personally am torn between The Apartment (so glad I was able to hang out in the bar that Fran and C.C. frequent before it closed) and today's competitive centerpiece, 1950's Sunset Boulevard (aka still the greatest movie about Hollywood ever made), but cases made for a couple other Wilder films could probably convince me they were his be all everything too. Point being Billy didn't used to be big, he is big, and it's the pictures that got small without him. In that vein...

PREVIOUSLY Last week we wished Helen Hunt a happy birthday with a look back at her and Jack Nicholson's 1997 Oscar wins for As Good As It Gets -- facing them off y'all were decidely Team Carol with her thundering past a full 3/4ths of the vote. Explained Denny:

"Loved this film then and like it now, despite all the shit it gets. Jack is on fire - somehow Melvin doesn't come off like the complete and utter cliche he is on paper, and it's solely due to Nicholson's unique charisma - but it really is all about Helen Hunt and her warm, deeply lived-in performance as Carol. Yes the "fucking HMO pieces of shit" bit is great, but where the character (and the actress) really sings for me is in the quieter, more intimate moments. She somehow ups everyone's game when she's in a scene with them, and that's no small feat. But really, Carol wins just for being able to handle Melvin and all his bullshit."

Monday
Jun152015

Beauty vs Beast: Sidewalk Stories

Jason from MNPP here with this week's "Beauty vs Beast" -- the very first movie that I ever saw being filmed in person was on one of my first trips to New York City; I guess it must've been in the spring of 1997? There I was walking down a side-street near NYU, a wide-eyed country bumpkin in the big city, when who should suddenly be standing in front of me but Jack Nicholson. Jack Nicholson! That'll stop you dead in your tracks. Beside him was Helen Hunt and Greg Kinnear and you guessed it, it was James L. Brooks' multiple Oscar winner As Good As It Gets.

I watched them film for about half an hour (it was the scene where they were getting into the car to go on their mid-movie road-trip) in awe, and now whenever I think of this movie I think of that experience and how fundamental it was to cementing this city as where I wanted to live my life. There's magic around every corner, wedged terrifyingly in every crack of the sidewalk. Long story short today is Helen Hunt's birthday (and Greg Kinnear's birthday is on Wednesday) so As Good As It Gets it is...

PREVIOUSLY Last time around we anticipated the weekend's great big movie (movie-a-saurus) with a claw-off between the Tyrannosaurus Rex and the Velociraptor in Steven Spielberg's 1993 original Jurassic Park - ya'll love your Clever Girls and the Raptor slashed her way to the winning circle with 60% of the vote. Said forever1267:

"Velociraptors are one of the few movie monsters that really scared me while watching the movie. They aren't supposed to be smart! They're not supposed to be able to open doors! They're not supposed to be clever! Chills!"

Sunday
Dec142014

Missi Arrives - Advice Dispenser

- by Missi Pyle

So Hello and Welcome to The Film E -- The Missi Experience! I'll be guest-blogging for the next 24 hours.

First of all. I always feel a bit like a con artist or something when I am interviewed. I read other actors interviews and I always think. Oh thats how you do it. Thats how you say it. I feel often like a charlatan. Other actors - they seem to be super picky. Or somehow more artistic. But me, I will pretty much do anything. I say yes to literally 90 percent of jobs that come to me. I am so happy and truly shocked to be a working actor.

WITH MEKHI PHIFER ON SET

I was on a set yesterday with Mekhi Phifer. We are doing this crazy low budget Virus movie and we have to wear hazmat suits and helmets and tape or gloves on and we were doing this scene where we are leaving the safe compound and going on a mission to find uninfecteds and we go through this tunnel and we are on this shitty bus whacking stunt people with rubber bats and crow bars and I was just laughing because its like -what the fuck are we doing? We are grown ups who leave their home and go to work and play dress up and make believe. And its awesome.

And then after like 11 hours you get so tired. And you get pissy and want to go home but then its like: 

I am getting paid for this

God. I don't know how anybody makes it as an actor. Really. I look back at my journey. And I think about how much LUCK had to happen. But you know what they say about luck. 'When hard work meets opportunity...'

I went to North Carolina School of the Arts and it was an incredible school.  But before that I ended up in a small town in Tennessee called Germantown. This was after my parents divorce. My mom married a German dude and we moved there. Totally unrelated. He was probably the only German in all of Germantown. Anyway, This school randomly had this magical Drama program led by this man Frank Bluestein. He was this gothic southern Jewish man. He is truly one of the most incredible humans I have ever met. I wouldn't be where I am without him. He just never would accept the words "I can't". So they left my vocabulary.

And I guess that would be my advice to young actors:

AS GOOD AS IT GETS (1997) at the very beginning...Take the words "I can't" out of your vocabulary.

And work hard. Harder than you think you need to. And try not to compare yourself to other people in the room when you are auditioning or, really, ever. You are uniquely you and that is what everyone is looking for. Someone who is genuinely just themselves. I think.

Anyway. thats it for advice. Oh and move to Atlanta. You will get mountains of work there. 

previous Missi...
Gone Girl & Nancy Grace