Almost There: Nancy Kwan in "The World of Suzie Wong"

by Cláudio Alves

Arthur Dong's documentary Hollywood Chinese, about the complicated history of Chinese and Chinese American lives on the big screen, serves as a starting point for one of the Criterion Channel's new collections. Spanning over a century of American filmmaking and 24 films, this curated program highlights issues of representation, racism, erasure, and more. At the same time, it serves as a chance to illuminate the cinematic contributions of marginalized artists who found unlikely success in Hollywood. They were people like the Chinese-American cinematographer James Wong Howe, Taiwanese director Ang Lee, and Hong Kong-born American actress and dancer Nancy Kwan.

In 1960, Kwan made her film debut in Richard Quine's The World of Suzie Wong, became an overnight star, and surely came closer to that elusive Best Actress Oscar nomination than most performers of Asian descent…

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Jennifer Jones Centennial: "Love is a Many-Splendored Thing"

Reader Request: You voted on which Jennifer Jones films we had to write about for her centennial and this was your top choice. So it's your fault, then.

One of the tag lines reads...

In each other's arms they found a love that defied 5,000 years of tradition!

'Defying tradition? But what's more traditional than Hollywood casting white stars in Asian roles?' he said sarcastically. Figured we should get this out of the way upfront and then try to ignore it: Jennifer Jones's last Oscar nomination came for playing Han Suyin, a biracial doctor, who falls for Mark Elliott, an American foreign correspondent (William Holden) in Hong Kong...

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William Holden in "Picnic"

Our mini William Holden Centennial celebration continues with Eric Blume...

Picnic, the 1955 film version of William Inge’s Pulitzer Prize-winning play, came two years after William Holden won his Best Actor Oscar for Stalag 17 and one year after his dashing role in Sabrina.  Holden was at the height of his stardom when this film released, and he’s smartly front and center through most of the picture...

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William Holden in "S.O.B."

Mini William Holden Centennial celebration. We're beginning, oddly enough, with his final film. Here's Tim Brayton...

The 1981 film S.O.B. wasn't meant to be William Holden's final film: the star died in a household accident a few months after the film premiered, at a mere 63 years old. But it offers a pleasing symmetry to his career to end this way: Holden's big breakthrough, in 1950, was the acid-laced Hollywood satire Sunset Blvd., and there's a comforting rightness that it was with an acid-laced Hollywood satire that his career would end.

Not that S.O.B. has anything on Sunset Blvd., though it's a compelling oddity, and it's one of the few films made by writer-director-producer Blake Edwards after his 1960s heyday that offers all that much to chew on. The film is a deeply caustic fable of how superproducer Felix Farmer (Richard Mulligan) churned out the biggest money-loser in Hollywood history one day, went insane from the stress of it, and decided to turn his family-friendly musical into a pornographic extravaganza...

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Blueprints: "Sunset Boulevard"

Happy almost New Year, everyone! In these times of personal transformation, Jorge dives into one of the greatest screenplays ever written.

The all time classic Sunset Boulevard contains a multitude of scenes, and moments, and quotables to pick from and analyze in the page. But since we're close to a new year, let’s take a look at precisely that time in the film, when Joe Gillis decides to finally let go of his old baggage and step fresh into new things. Even if that old baggage is a possessive fading movie starlet...

 

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