Lord of the Tweets

Fiona Apple always knew. pic.twitter.com/8tZZJ0FSsH

— Chris Crocker (@ChrisCrocker) August 29, 2017

A sobering reminder before we hit a sillier survey of most amusing tweets o' the week. Topics include but are not limited to: Tulip Fever mania, Laura Dern action figures, mother! enthusiasms, that stupid news that there's going to be an all female Lord of the Flies movie (that doesn't even make sense -- women aren't that stupid!), Judith Light, Ridley Scott and more. It's all after the jump...

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Five Lessons Learned from Valerian

By Spencer Coile 

Although Valerian and the City of a Thousand Planets is not particularly good (see Dan's review), it is at least somewhat fascinating. Luc Besson's world-building is admirable if bloated, and there is definitely a lot of thought behind the action. It would be easy to detail all of the film's shortcomings but instead, let's talk takeaways.

Five Notes on Valerian

01. Laureline really knows Valerian's name
You could turn the number of times Laureline says Valerian's name in one scene into a very dangerous drinking game. In every line she utters she repeats his name in case we've forgotten it or the film's title. The film's title was initially Valerian and Laureline and was later changed to Valerian and the City of a Thousand Planets. It's not enough that the demoted Laureline must say Valerian's name constantly, but must bombard us with his importance, too...

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Valerian in the shadow of The Fifth Element

by Dancin' Dan

Luc Besson's comic adaptation Valerian and the City of a Thousand Planets is a mess. But so was his magnum opus The Fifth Element, and that Bruce Willis-starrer went on to become something of a modern-day sci-fi classic. Only time will tell if Valerian will go on to a similarly charmed afterlife, but for my money it suffers under the weight of expectations.

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Demented Beauty in "A Cure for Wellness"

By Spencer Coile 

We have successfully reached that lull in the film year, where many of us are playing catch-up with the films we weren't able to see earlier in the year. It is both daunting and exciting. There is so much to see, but sometimes, a film will come along and take our breath away -- in scope, in storytelling, in its sheer visual spectacle. Perhaps it is a mix of everything. 

Gore Verbinski's A Cure for Wellness is not a perfect movie. Its characters are paper-thin, the twists and turns oftentimes feel haphazard, and the writing leaves much to be desired in the suspense department. However, as I caught up with the critically divided feature, I couldn't help but be swept up into this world that Verbinski created. In many ways, it is so different from anything I have seen this year that it was easy to forgive and forget some of the film's flaws, because it is so beautiful. And rather than dive into a critique about the movie and nitpick everything it does wrong, it might be more beneficial to share with you some of the film's most elegantly shot moments -- to demonstrate the sheer artistry taking place. 

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HBO’s LGBT History: In Treatment (2008-2010)

 Manuel is working his way through all the LGBT-themed HBO productions...

Last week we looked back at the 1990 1989 Oscar ceremony (it took place in 1990 but celebrated the best of 1989) and got to see an unfazed Jessica Lange and a blustered Charlton Heston, both things which are equally entertaining to watch. This week, we’re tempering our nerves over Haynes’s Oscar snub with a visit to In Treatment’s Dr. Paul Weston (Gabriel Byrne).

Developed by Rodrigo García (who we talked about briefly since he directed Six Feet Under’s “A Private Life”), this HBO show is an American adaptation of the Israeli series BeTipul. Aired as a five-night series, every episode follows a session with Dr. Weston. For today we’re looking at season three’s “Week 1: Jesse” where we meet Dane DeHaan’s character Jesse. And boy is he a testy one!

Playing an aloof New York City privileged gay teen is a balancing act: one false move and you teeter right into a stereotype. Thankfully, DeHaan is more than up to the task. His Jesse is the type of teen who mistakes his own self-awareness for introspection and the actor's cadence is spot on, every sentence oozing a put-on air of self-importance undercut by his nervous need for validation. The episode, which hints at his past troubles (selling drugs at his school) and his current unraveling (he’s just gotten a voicemail from his birth mother), are a perfect example of an LGBT character on screen whose arc is dependent but not exclusive to his sexuality. [More...]

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