The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
The third episode of American Crime Story opens with Judith Light selling perfume in a home shopping commercial.
And what initially seems like a campy an even playful image, slowly devolves into one of the most chilling and disturbing episodes of television (and the best one in this season so far), anchored by outstanding guest performances, strong thematic elements, and as yet another reminder that Darren Criss is miles away from the gelled Warbler of Glee...
Last week’s premiere episode planted the seeds for the plot and the thematic elements we will follow all season: Andrew Cunanan’s simultaneous magnetic charm and deep sense of isolation, Gianni Versace’s obsession with living fully and beautifully, and Donatella’s practical approach to both fashion and her brother.
In the second episode we dive deeper into each of these, stepping back to the months before Cunanan assassinated Versace to get a sense of the mental and emotional state that each of the players found themselves in before the tragedy...
The first installment of American Crime Story made such a deep dent in culture by taking the O.J. Simpson murder trial, a case that was heavily imprinted in popular consciousness, and used it to analyze issues of race, sexism, and tabloid culture that still resonate today.
The second season focuses on, as the title establishes, the assassination of famed designer Gianni Versace in 1997 (shortly after the O.J. case) by serial killer Andrew Cunanan. And if the first episode is any indication of what the season as a whole will attempt, it will both broaden and narrow the cultural conversations that the first season tackled.
On the premiere episode, we get a first look into the mind of a murderer, the house of an icon, and the jet of a queen...
Here's some rather surprising news: Michelle Pfeiffer sings the closing credits song of Murder on the Orient Express. The song is called "Never Forget" which we never in danger of doing for anything Pfeiffer. Though opinions vary about how well the goddess sings, we personally love it when she croons. Case in point: Grease 2 (1982), The Fabulous Baker Boys (1989), The Prince of Egypt (1998), and Hairspray (2007). Listen it's not her fault that her character in Up Close and Personal (1996) was supposed to be a bad singer or that "Miss Baltimore Crabs" is Hairspray's worst song!
"Never Forget" is written by two-time Oscar nominee Patrick Doyle, a regular on Kenneth Branagh films, who also composes the score. La Pfeiffer is, of course, not the sort who would deign to sing in front of the whole world on Oscar night so they will reassign the vocals if the song is nominated.
Regardless the Original Song category is beginning to show its possible contenders so we've updated that chart and still suspect the leader is The Greatest Showman's catchy "This Is Me" - which was recently performed in NYC by Keala Settle & Darren Criss.
We eagerly await the full eligibility list of 80ish songs we've never heard from 40 movies we've heard of and 20 movies we didn't know existed before this always surprising list hits.
The Muse another movie that believes shark lives are worth less than dumb humans endangering themselves Coming SoonThe Glass Castle sets a release date for August. YAY. We love a counterprogrammed adult drama in the summer Film School Rejects on the proliferation of streaming services. A bursting bubble? Gothamist Rooftop Films in NYC announces their summer lineup which includes buzzy titles like Beach Rats, Menashe, and The Big Sick MNPP Who wore it best? Darren Criss or Max Greenfield EW First images of Naomi Watts in the Netflix series Gypsy
Film School Rejects on highlights from the Godfather 45th anniversary reunion -the original cast showed up! /FilmEdge of Tomorrow is getting a sequel (with both Emily Blunt and Tom Cruise returning) and its riffing on the original film's tagline for its title: Live Die Repeat and Repeat Collider why Rian Johnson asked JJ Abrams to make a small switch to the ending of The Force Awakens to help out The Last Jedi The New Yorker Anthony Lane reviews Guardians of the Galaxy Vol 2. This tossed off line about Kurt Russell's character honestly made me LOL but I think it's only funny if you're old enough to know Yes albums.
Ego has built his own planet, apparently after consulting the covers of Yes albums.
Off Screen AV Club Pepe the Frog dies, killed by his cartoonist creator who was upset that his initially harmless creation had been turned into a symbol of hate by Neo Nazis EW Nicki Minaj went on a spending spree for fans for an hour on twitter, paying their student loans and tuition Boy Culture congrats to Dustin Lance Black and Tom Daley who reportedly married Towleroad a rave review of the London production of Angels in America Jezebel leaked tracklist for a deluxe reissue of Prince's masterpiece Purple Rain
Exit Video I almost never post SNL videos because frankly I never understand why people think that show is funny. It's always such a long slog with just a couple of laughs. Chris Pine hosted and did an opening number about how he's not Chris Evans or Chris Hemsworth or Chris Pratt but Chris Pine. It included one little similarity I hadnt even though of: Evans and Pine both play guys named Steve in superhero pictures that also double as World War period pieces. But this Chris Pine's guested skit about RuPaul's Drag Race is sneaky funny and super up-to-the-minute.
Thursday, February 1, 2018 at 11:30PM 
