TCM Film Fest: Detective & Cop Films - Se7en, The Big Heat, The Mad Miss Manton

by Christopher James

The TCM Film Festival always brings out the stars, and this year was no exception as David Fincher (left) took to the stage for a Q&A before Se7en.

The theme of this year’s TCM Film Festival was “Most Wanted: Crime and Justice in Film.” You know what that means? Lots of cop and detective stories - be they young or old, eager or disillusioned, good or dirty. 

The three films from this programming block I was lucky enough to attend span nearly sixty years, showing how much the crime genre has been pushed. From screwball comedy in the 30s, noir in the 50s and violent nihilism in the 90s, each new era brings with it a new interpretation of the same roles in society.

Throughout the week, I'll be publishing recaps of the films I've seen from the festival, grouped by similar themes or slotted under similar programming categories. To begin, let's take a look at three very dissimilar films that all involve law enforcement unraveling a murder in their respective cities...

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Venice 2023: "The Killer" and "Hit Man"

by Elisa Giudici

Venice's most sought-after job this year? The sicario. Professional assassins are trending. Today David Fincher's The Killer and Richard Linklater's Hit Man. 

THE KILLER by David Fincher
The real mystery here is whether The Killer's lack of ambition stems from production during the COVID years and a tight schedule due to Michael Fassbender's busy agenda, or if Fincher simply wanted to have fun. While it may not be a masterpiece or top tier Fincher, The Killer is still a thriller directed by Fincher, a master of the form.

This time, Fincher designs the movie around the protagonist's voiceover, setting the rhythm for the entire story and influencing the cinematography and editing choices...

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César Winners: David Fincher, "The Night of the 12th" and surprise presenter Brad Pitt

by Arnaud Trouve

Brad Pitt and Virginie Efira present the Honorary César to David Fincher

The 48th French César Awards were just held and, as expected, The Night of the 12th was the big winner. It won Best Film, Best Adapted Screenplay, Best Supporting Actor and Best Male Newcomer, just like last year's champion Lost Illusions. Its two additional prizes were for Best Sound and Best Director. Dominik Moll almost broke the record at the Césars for the longest time between two directing wins (he previously won 22 years ago for the thriller With A Friend Like Harry)...

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Some thoughts on David Fincher's 60th birthday

Today, The Academy tweeted this image of David Fincher's filmography and asked which three you'd choose to watch in a marathon.

But even before they did we were thinking about David Fincher...

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What's next for this season's Oscar-celebrated directors?

Chloe promoting The Eternals at comic-con

Chloé Zhao made history as the first woman of color to win Best Director. We don't have to wait long for her Nomadland follow-up. Next up: Her fourth film -- a huge change of pace from her three quiet earthy features -- is Marvel's gargantuanly budgeted sci-fi superhero film The Eternals which hits theaters on November 5th, 2021. She has two more projects in development that aren't very far along. There's another take on Dracula supposedly coming and a directing gig (but not writing) on a period biopic about the first black US Deputy Marshall Bass Reeves, who was born into slavery, and later arrested thousands of dangerous criminals working in the Oklahoma territory in the 19th century. That latter might certainly be a fascinating movie...

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