Vintage '70 - Marinate in it!

The Supporting Actress Smackdown 1970 Edition arrives in three weeks (we've moved the date to May 13th) so as we approach and you vote (hint hint), let's talk context in movies and entertainment... 

Great Big Box Office Hits: When it comes to box office, there are a lot of competing sources about what films were massive hits prior to the internet era when tracking success became such a cultural activity. But all sources basically agree that there were five true behemoths at the movies in 1970. The top four were the tearjerker Love Story, the all-star disaster flick Airport, the Altman comedy MASH, and the war drama Patton (remarkably they made up 80% of the Best Picture list... though prior to the 1980s it's always worth reiterating that the public had much more Oscary taste in their movies -- it was public taste that changed, not really the Oscar aesthetic... contrary to much of the grousing you here online about Oscar shunning hits and preferring underseen critical darlings). The fifth consensus smash hit was the Dustin Hoffman Christmas release Little Big Man which scored only 1 nomination from the Academy for Chief Dan George in Supporting Actor; he was the first Native American to score an Oscar nomination in any category!

Chief Dan George in "Little Big Man"Beyond that quintet the details about which films were big hits gets fuzzier though various sources also list some, though never all, of these movies:  Ryan's Daughter, Tora! Tora! Tora!, Chariots of the Gods, The Aristocrats, Joe, Beneath the Planet of the Apes, the documentary Woodstock, and the musical On a Clear Day You Can See Forever.

Oscar's Best Picture Nominees: Airport (10 noms / 1 win), Five Easy Pieces (4 nominations),  Love Story (7 noms / 1 win), MASH (5 noms / 1 win), and Patton (10 noms / 7 wins). Our theory as to what was just outside the Best Picture shortlist plus more '70 goodies follow...

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Blue Velvet at 30

by Jason Adams 

With our host Nathaniel off in Toronto seeing movies this week; some good, some bad... but which ones will last forever? It's a question I put forth because David Lynch's masterpiece Blue Velvet played at the Toronto Film Festival exactly 30 years ago today. Did those fortunate souls sitting there in that audience know they were seeing a stone-cold American classic unveiled unto the world. I can't imagine they didn't know they were seeing something unlike anything else they'd ever seen before, that much seems clear. The film made some noise!

Blue Velvet's one of my Top Five Favorites so let's celebrate its anniversary (it was released in US theaters one week after its screening in Toronto). In honor of 30 years here are 30 favorite Blue Velvety facts, figures, and fun stuff, starting with...

1. LAURA DERN'S FACE

2. But seriously this is Lynch's first collaboration with his muse and most important collaborator (so says me and that cow he stood on Hollywood Blvd with) and it's a pleasure to contrast the character of Sandy with the places the two would later go - the sweetness and naivete here evenautally giving way to all kinds of craziness; it's impossible not to look at this nice young lady now and not see the wild woman -- Lulu Fortune anybody? -- about to come beating out from underneath those fuzzy sweaters.

Ears and lots of the F-word after the break...

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Beauty vs Beast: Blue Beauty On Velvet Beast

Jason from MNPP here wishing everyone a blue blue Blue Monday. When I tell you that it feels as if I've been having an awfully Lynchian series of months, I'm sure your first reaction is to 1) shudder and 2) to call the police on my behalf. But this is not a cry for help, don't worry - I haven't turned into a door-knob or anything.  It's just been a random confluence of events - I saw David Lynch speak at BAM a few months ago; then I read Lynch on Lynch (a terrific book of interviews with the director); then there was the news about the Twin Peaks revival; then I met Laura Dern at a party and told her she needs to get herself into the Twin Peaks revivial; then I went to Philadelphia and saw an exhibit of his paintings. It's been Lynch up the wazoo, basically.

And since tomorrow is Mr. Lynch's 69th birthday it seems a heck of a good time to give him the "Beauty vs Beast" treatment. I mean, what other director works in such extremes of dreamy beauties and nightmare beasts after all? Laura Palmer and the BOB at the end of her bed, for instance. And when the beauty & beast meet, watch out - you could argue that Laura Dern's become the perfect muse for him since she can so effortlessly stretch her sunny beauty out out out way too far for comfort. Those examples aside, it was pretty clear where we needed to mine this week's competition from...

poll by twiigs.com

Treat yourself to some cherry pie, climb inside a stranger's closet, do whatever it takes, and then hit the comments to tell us whose disease you want put inside of you in the next seven days, and why and how. And here's to your...

Mix Tape: "In Dreams" in Blue Velvet

Andreas from Pussy Goes Grrr here, with one of the most disturbing cinematic uses of pop music.

From his controlled demolition of the nuclear family in Eraserhead to his grotesque send-up of Hollywood in Mulholland Drive, David Lynch has always delighted in savaging American institutions. Through the S&M-tinged surrealism of Blue Velvet, he pried the bland surface off of suburbia and illuminated the perverse secrets underneath.

The darkest of those secrets is Frank Booth (Dennis Hopper), an abusive, foul-mouthed gangster who holds sultry chanteuse Dorothy Vallens (Isabella Rossellini) in his thrall. Hopper is a villain unlike any other, snapping from relative calm to strung-out psychosis without warning. But Frank's most terrifying tendency isn't his hair-trigger temper or his torrents of profanity: it's the unexpected well of emotion festering inside him.

Read more about Dennis Hopper in David Lynch's America after the jump.

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