Silver Live-Blogging SAG Playbook (The Show!)

Previously: THE ARRIVALS

8:00 The announcer just said Zero Dark Thirty Jessica Chastain is "Zero Dark Flirty". Regret to inform that his was not even the worst pun of the intro. This was not even in the bottom ten of worst puns. Yikes. "Argo Seat Yourself"??? (And you don't even want to know how much television pays writers for this sort of thing. Can I apply?)

8:02 I Am An Actor from Jane Krakowski, Chris Tucker, Helen Hunt, Hal Holbrook, Sofia Vergara. Followed by Nicole Kidman with some hot razor cut flat iron hair to announce... 

8:06 SUPPORTING ACTOR. I predicted Tommy Lee Jones because of the huge audience response he gets in Lincoln. But perhaps I'm too stuck back in November and the TLJ hoopla has ended. The award goes to... oh, wow. Tommy Lee Jones. Who is not there. His absence does him no favors in a possibly very tight Oscar race.

8:08 Bradley Cooper, whose hair is unusually light brown fluffy. (I'm reminded of Dustin Hoffman in Tootsie ...as both Michael Dorsey and Dorothy Michaels) and Jennifer Lawrence introduce their own movie. They use a clip of the "silver lining" monologue over images of the cast. 

8:10 SUPPORTING ACTRESS. Justin Timberlake arrives in his 'suit and tie shit, suit and tie shit ♫' (plaid pattern potpourri but quite fetching)... and tries to do a little dance to the piped in canned show music [more after the jump]

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"Dick Tracy" Q&A with Warren Beatty

Alex (BBats) here, doing a lil’ scouting in LA. Oh my oh my!

BBats and Beatty! This past weekend, I had the pleasure to revisit Dick Tracy (1990) on the big screen courtesy of the Los Angeles Times Hero Complex Film Festival.  The film hasn’t aged a day due to that rich pulp style that seeps through every set piece, costume, matte painting, and actor.  The main draw was a Q & A with Warren Beatty after the film! Now, I was battling the flu and taking notes as fast as I could, so keep that in mind and I wouldn’t say anything below was a direct quote.

Beatty stood in the wings as the film’s end credits rolled. Big applause for the film followed and I saw a big smile grow across his face. The moderator brought him out to thunderous ovation (duh). He seemed a little cagey and very careful in selecting his words; this Q & A was for the Los Angeles Times, he pointed out, and would be in print the very next day.

Hit the jump for some Beatty, Dick, and a lil' Bening action!

On Stephen Sondheim
'He did great stuff for this…I’m such a fan of Sondheim’s. Everytime I see one of his shows, I just fall apart on the first song.'

On the film itself
'I’m disgusting because I really do like it a lot.'

Beatty had been attached to the propertry since 1976. The moderator asked why he chose Dick Tracy. Beatty said that he didn’t want to do some picture where everything got blasted around, and that Dick Tracy was this guy who had been around forever and wanted to start a family. He paused and said he thought of it as a gentle picture. (Aside: I love when people call movies "pictures". Super classy.)

This next part is so funny, let's get it right by quoting directly from the Los Angeles Times.

 “Little by little I found myself caught up enough in it to actually go and make a movie about it, because it was hard for me. … I always think of making a movie like vomiting. I don’t like to vomit, but I get to the point where I think, ‘I’d better go ahead and do this, and I’ll feel better.’” 

Everyone  rolled with laughter. The vomiting reference also maybe gives us a little glimpse as to why he hasn’t directed a film since Bulworth (1998). But back to the Q & A.

His desk needs a bucket.

Beatty began to compliment everyone in the cast and the moderator honed in on certain performances and how he cast the roles. Interestingly, Beatty compared the casting process to writing. When you cast someone it's an instant rewrite, even if you don’t change a word.

Madonna sings "MORE" in Dick Tracy and you know you want more, too: Bening, Pacino. Hoffman, Oscars and Dick Tracy sequel nuggets after the jump.

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