AFI Winners: Divines, Land of Mine and More

We weren't able to attend the AFI this year due to lack of funds but we shan't skip sharing the winners. The literal winners we mean. Obviously the AFI is a great last second Oscar launching pad for the big titles (like American Sniper and Selma and such in year's past) ...

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R+J at 20

Did you know that Baz Luhrmann has an instagram account? He's currently using it to celebrate Romeo + Juliet's 20th anniversary with behind the scenes photos and anecdotes (Best LOL: he feels the need to explain what a collage and inspiration boards are for young fans -- ah the days before Photoshop and "mashups".)

This has been a Public Service Announcement.

It was Don McAlpine, the brilliant Director of Photography who came up with the extraordinary solution. I wanted the camera to track around the lovers inside of an elevator, as we do this, a half-dozen grips lift each panel as the camera whirs around. It was an extremely complicated logistical job, but indeed we got the shot. #romeoandjuliet #RJat20

A photo posted by Baz Luhrmann (@bazluhrmann) on Oct 31, 2016 at 8:30am PDT

NYFF: How Bogart, Fellini, and Ginger Rogers inspired "20th Century Women"

As part of NYFF Directors’ Dialogue series, 20th Century Women’s Mike Mills was interviewed by artistic director, Kent Jones. Here are excerpts from the conversation as reported by Murtada.

Bening, Mills and Elle Faning at NYFF premiere

Dorothea is Humphrey Bogart
Mills based the main character in 20th Century Women - Dorothea played by Annette Bening - on his memories of his mother. She used to always tell him “In my next life I’ll be married to Bogart”, so while writing the movie Mills would ask himself what would Bogart say whenever he was stuck. To him Dorothea was like many of the characters Bogart played; underdogs who don't win, fail valiantly, make great jokes along the way and always help the weakest person in the room.

Ginger Rogers in Stage Door
Dorothea was also inspired by the character Ginger Rogers played in 1937’s Stage Door. She is as subversive, wisecracking and knows her way with a witty putdown as Rogers’ Jean Maitland.

Working with Bening
Mills believes Bening was the only actor who could play Dorothea. He talked about how she’s exactly the right age, looks beautifully natural which is rare in actresses of her age and calibre. She also reminded him of his mother because, while professional, she has no interest in pleasing anyone, even her director. She would listen to his stories but kept her process private, so he had to learn to give her space. He loved what she delivered because she continously surprised him. While she worked out the character’s psychology, Bening did not work out the beats of every scene, opting for freedom and intuition.

Casting is Key

Mills movies are personal and based on his memories, in addition to Bening, Christopher Plummer played a character based on his father in Beginners (2010). So to avoid being precious he hands full authorship of the character to the actors or as he put it “give them the keys to the car”.

Federico Fellini
Mills revealed that 20th Century Women owes a big debt is Fellini’s Amarcord (1973). They both have multiple narrators and are love letters from their authors’ to where they grew up.

20th Century Women was the Centerpiece selection at NYFF and will be released on Christmas Day by A24.

Foreign Film Race Pt 4: Female Directors and Oscar Submissions

Everything you wanted to know about the foreign language film race ...but were afraid to ask*

Toni Erdman, one of 14 films in the Foreign race directed by women, is widely expected to be nominatedPt 1 All the trailers -Albania to Italy
Pt 2 All the trailers - Japan to Yemen
Pt 3 Debut directors

Though Hollywood has an appaling track record when it comes to female representation behind the camera, other countries actually fare a lot better in this regard. Oh sure, it's still not as easy as it is for the men, but each and every year we see several female filmmakers from various countries around the Globe chosen as the best representative of their country's cinema. Now try to imagine how rarely that would happen if the USA had to export only one film to represent them annually. Hard to imagine isn't it? The only times it might conceivably have happened would have been Lost in Translation (2003) which lost best picture to a New Zealand production or The Hurt Locker (2009) which actually won best picture.

Denmark's PAW (1959) and Italy's SEVEN BEAUTIES (1976) were Oscar firsts for women

The 20 Oscar Nominated Foreign Language Films Directed By Women (and this year's hopefuls) after the jump. If you've ever wanted to do that 52 films by women viewing challenge some great ideas follow...

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Foreign Film Race Pt 3: It's your first feature and you're already submitted for an Oscar!

Everything you wanted to know about the foreign language film race ...but were afraid to ask*

Ivan Marinovic (Montenegro)Pt 1 All the trailers -Albania to Italy
Pt 2 All the trailers - Japan to Yemen

Pt 3. Filmmaking is a tough business. While the size and scope of opportunities within filmmaking industries varies tremendously across the borders, it's tough everywhere as creative careers inevitably are. So imagine then that you've finally managed to make a feature film after probably years of study and practice on shorts or frustrating fundraising efforts. Then pretend that the first time behind the camera in the narrative feature level results in your home country choosing you to represent them at the Oscars! That's incredible.

So a hearty congratulations to the 23 following first timers whose films have been selected to compete in Oscar's Best Foreign Language Film Race...

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