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Entries in Directors (315)

Friday
Jul062012

Linkz, the Eight and Powerful

IndieWire a conversation about Steven Soderbergh, Oliver Stone and the auteur theory
Vulture "Now that you've seen Magic Mike..." on anticipation mania in movie culture. 
The Daily Beast on Anderson Cooper's coming out. I forgot to congratulate him. Well done. 
The Film Experience remember when we did A Face in the Crowd as part of the Best Shot series? That was such a good one. I was horrified that the movie was barely mentioned in Andy Griffith's obits (RIP) 

Tom's World
BlackBook did you know that Christian Bale used Tom Cruise as inspiration for his Patrick Bateman American Psycho performance. 
Gallery of the Absurd thanks TomKat for years of illustrative inspiration - big gallery o funny
Guardian on the TomKat divorce and Cruise's box office appeal
Forbes names Tom Cruise king of the box office again. He's #1 in money-making actors for the past year with DiCaprio, Adam Sandler, The Rock, Stiller, Sacha Baron Cohen, Depp, Will Smith, Wahlberg and the Twilight boys rounding out the top dozen.

Finally... heres' the first teaser photo from 2013's Oz, The Great and Powerful. What'cha think?

No star names appear but it'll be James Franco as the Wizard, Mila Kunis as The Wicked With and Michelle Williams as Glinda. Will you be following that yellow brick road or have you had it with the reimaginings?

Tuesday
Jun052012

Take Three: Ida Lupino

Craig (from Dark Eye Socket) here with Take Three. This week actress and director  Ida Lupino

Ida Lupino a "sensation" circa 1941

Take One: The Bigamist (1953)
The Bigamist probes unseemly marital behaviour and stews on moral sorrows. At its centre is Edmond O’Brien toing and froing between two wives. But behind the camera as director, and in a supporting role as O’Brien’s second, San Francisco wife Phyllis Martin, is Ida Lupino. Her unfussy direction creates lean drama and her performance beautifully matches it, with nary an unnecessary furtive glance or superfluous line spoken. She’s a woman bored on a bus tour of Hollywood stars’ homes, chatted up by O’Brien’s depressed bigamist Harry Graham. 

 

Edmond as Harry: Haven’t you any interest in how the other half lives?
Ida as Phyllis: No, not particularly. I’m just crazy about bus rides – gives me a chance to get off my feet.”

Phyllis is smart, practical and wryly humorous. She’s world-weary enough to spot a chancer, but curious enough to give him his chance. Yet, she’s not someone to be taken advantage of. She’s part good-time gal, hired by a failing Chinese restaurant to perk up business that she herself acknowledges she’s failed to do, and part susceptible single girl. It’s clear she wants companionship, so she involves herself unknowingly in an already-married man’s emotions. Lupino deftly conveys just the right levels of guarded vulnerability and earthy pluckiness.

Lupino directed herself twice on screen prior to The Bigamist in Outrage (1950) and Hard, Fast and Beautiful  (1951) – but only in unnamed, uncredited cameos. Here she creates for herself a memorable emotionally driven character which she nails with snap and skill. With the cheeky shrewdness of a Hollywood pro, the perfectly cast Lupino gives herself the film’s best part.  As a director she clearly knows what kind of performance style the part requires; as an actress she fulfils the role with elegant yet slightly spiky precision. 

Two more takes after the jump...

Click to read more ...

Wednesday
May302012

The Bling Ring?

Hey, why didn't anyone tell me there was a new Sofia Coppola movie on the horizon? Or did I just forgot. Nevertheless... The Bling Ring is coming and its 'stars' are walking right at'cha.

Taissa Farmiga, Israel Broussard, Emma Watson, Katie Chang & Claire Alys Julien "The Bling Ring"

Well... not exactly. Sofia Coppola is the star this time out since this band of moneyed kids is an ensemble and none of them have the hefty screen presence (yet) of a Kirsten Dunst or a Scarlett Johansson. And besides, even in the starriest of circumstances Sofia is at least the top billed co-star of all or her movies, having such a distinct auteur voice.

The Bling Ring is the name of the thieving group (above) who burglarize celebrity homes. Expect starry cameos, including our beloved Kiki (who previously headlined Coppola's Marie Antoinette and The Virgin Suicides), Paris Hilton and possibly Lindsay Lohan and Orlando 'Legolas' Bloom among them.  No word about Scarlett Johansson but if both Scarjo and Kiki lent their dreamy girl star wattage The Bling Ring may well be the apotheosis of Coppola.

Sofia  has been accused of not stretching enough safely ensconced in her sheltered moneyed world of discontent. First there was the hazy teenage girls trapped and scrutinized by the gaze of others (Her The Godfather Part III experience via The Virgin Suicides. You can see it, right?) then the girl in the orbit of real celebrities who hangs out bored and unloved and disconnected in hotel rooms (Lost in Translation) then the moneyed girl born into great privilege, accussed of narcissism and disconnected from everyday living (Marie Antoinette) and finally a star driving around in circles, vaguely aware that they need to find new roads to travel (Somewhere). If you're inclined to project whole interior lives onto the unknowable rich and famous -- and frankly, who isn't? -- well, Coppola will make it easy for you.

But the synopsis of The Bling Ring sounds like newish terrain, albeit still adjacent to the world she knows all too well.

 

Sunday
May062012

Linksplosion

Scribble Junkies wonders if short men make better directors
My New Plaid Pants sneak peaks End of Watch with Jake Gyllenhaal and Michael Pena
IndieWire Oops, we deleted the movie. The growing pains of digital cinema
Cinema Blend Joss Whedon on his success with The Hulk. Speaking of...
Tom Shone thinks the Hulk is the only thing he got right.
Huffington Post thanks the foundations laid down in the Whedonverse for The Avengers success
USA Today gets good quote from the Core Four in The Avengers. And everyone has a good laugh about Mark Ruffalo in his motion capture phase. The man himself:

The first day of the leotard I said, OK (expletive), get a good laugh. Let's just get it out in the open. There was a lot of snickering and off-color jokes about the leo part of my tard. I don't think that needs explaining. 

Wow Report the best job in Hollywood is...
ASME announces the best magazine covers of the year. Truly odd choices here, I have to say. Mila Kunis' GQ cover is the only actress cover featured. 
Guardian sad legal battles over the Zsa Zsa Gabor estate. The famous actress is 95 and is probably not long for this world
Forbes released their list of the 100 Most Powerful Women in the World. The highest and only ranked actress is Angelina Jolie at 29 (unless you think of Beyoncé #18 as an actress). 
Newsorama has a ten-wide list of things we've learned from The Avengers... but it's more about what Marvel Studios can learn from it. 
The Mary Sue Brave's Princess Merida already showing up at Disney parks 

Theater Watch
Potentially terrible news for New Yorkers. The fate of the awesome Zeigfeld Theater on 54th street is up in the air. That's a pity. This is hallowed ground we're talking about. It's one of the few single screen ginormous theaters left. It's where I saw Moulin Rouge! for the first time. It's where I saw Michelle Pfeiffer in the pflesh and its the only suitable place for big deal starry movie premieres in Manhattan. Please don't close up!

This Weekend's Must Read...
The Hairpin points us to this amazing Elizabeth Berkeley interview right before Showgirls (1995) came out. It's hilarious and fascinating and sympathetic in retrospect. So much titillating delusion.

I thought, ‘I have to do this.’ I mean, this role, I would kill for. It’s very rare you read a script where the whole focus of the film is on a woman. Also, I’m so passionate about what I go after and I really felt a lot of connection with the character right away...

The bottom line is the character is so emotional. She’s constantly on the edge of a breakdown so that was hard because what’s two minutes in her life was 17 hours for me. There was one scene in particular where I’m on stage auditioning for the showgirl spot where Alan Rachins’ character is wanting me to put ice cubes on my nipples. That was so difficult. Everyone on the set just felt really upset by it because the fact is that goes when showgirls audition. I mean, it’s part of the process.  

Authenticity!

Tuesday
Apr242012

'April Foolish' Oscar Predix In All Categories But...

...Best Actress.

I know. I know. I'm like those annoying repetitive "coming up on _______" interstitials which tell you what you're about to see about 20 times before you actually see it. But these Oscar charts are lots of work, y'hear? So don't only read the Best Actress page (yes, it's the most visited Oscar page. Always). Read them all. There's not much text yet (time constraints but the charts are up. Wheeeee

Here are twelve pressing questions about the five new Oscar chart pages for this film year

The first teaser poster for Les Miz embraces the original stage sensation logo and promises "THE MOTION PICTURE EVENT OF 2012". Can it deliver on all this promise?

BEST DIRECTOR 

• Can Tom Hooper win a second Best Director Oscar with film number three? That seems unlikely even if Les Misérables pushes all the Oscar buttons; multiple director wins in tiny time frames are not unprecedented, just rare.
• Or am I barking up the wrong tree and is it Kathryn Bigelow who'll be gold hunting again with the Osama hunting actioner Zero Dark Thirty?
• Don't you think Ben Affleck becomes more of a Clint Jr. threat each year? Can he find a place with his true story political thriller Argo?
• Can David Cronenberg, a director's director if there ever was one, ever find a way to win Oscar traction? It's not like outre auteurs are always ignored.   

BEST SCREENPLAYS 

• My statistics as an Oscar pundit over the years prove that Original Screenplay is one of the toughest categories to predict a year early. So much depends on critical response. Do you think I'm on the right track here with Brave, Hyde Park on Hudson, Imogene, The Master and Seven Psychopaths or is that too many potential critical darlings in one category?

•What do you make of Life of Pi's chances in Adapted? Or any category for that matter. 

MUCH MORE AFTER THE JUMP

Click to read more ...