Thankful for... Juan Carlos Ojano

This year for our "thankful for" column I'm interviewing the team (well, the non-shy ones) so you can get to know them better and so I can express my sincere gratitude that they're showcased here on the site. Today, JUAN CARLOS OJANO.

Juan Carlos lives in the Philippines and began writing for The Film Experience in mid 2020. We were all trapped inside due to the COVID-19 pandemic at the time. Human connection was scarce so thank the cinematic gods for zoom sessions with Team Experience! Juan Carlos shares our collective TFE passion for actresses + Best International Feature Film. He put the latter into action creating the podcast "One Inch Barrier" where he reviews each year of that competition. He got personal with a Call Me By Your Name piece, revisited Spotlight, wrote numerous odes to The Handmaid's Tale,and just launched a biweekly series on female directors called "Through Her Lens" that I really hope you will obsess over. I'm already wondering which female directors he'll be looking at from the 00s and earlier when they were less frequently honored and discussed.

HERE'S OUR SHORT INTERVIEW...

When did you first fall in love with the movies?

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Emmy FYC: The directing of “The Handmaid’s Tale”

by Juan Carlos Ojano

It’s probably an odd thing to say that I love The Handmaid’s Tale so much, given how challenging it can be for its audience. I even wonder why I love it sometimes. There is never an episode of the show that can be considered easy. And yet, there is also something deeply cathartic about watching its main character June (Elisabeth Moss) as well as the other characters survive, persevere, and even fight the institutionalized misogyny in the Republic of Gilead.

One thing that I always go back to is the top-notch filmmaking in the show...

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Lunchtime Poll: Which Lizzie would you rather be axe murdered by?

It will never fail to amuse us how Hollywood can rarely go more than, say, six months without announcing competing projects about the same topic. Today we hear news that Elizabeth Olsen (surely feeling the love from the WandaVision reception) will be playing axe murderer Candy Montgomery in an HBO miniseries called Love and Death based on the non-fiction book "Evidence of Love: True Story of Passion and Death in the Suburbs". This book was previously adapted into a TV movie A Killing in a Small Town which won Barbara Hershey the Golden Globe in the 1990s. But this miniseries is NOT the same project as the previously announced Candy which is based on the same crime with Elisabeth Moss headlining. But since we haven't heard a peep about the Moss project in several months, maybe that one isn't happening after all. 

Nevertheless it all begs the question: Which Lizzie would you rather be axe murdered by?

bike trails

An Offer Elle Couldn't Refuse

by Jason Adams

Have you been keeping up with the movie about the making of The Godfather? It was announced last September that Jake Gyllenhaal will be playing the infamous producer Robert Evans while Oscar Isaac will be director Francis Ford Coppola in Francis and the Godfather, with Barry Levinson directing the thing. My ears, eyes, and everythings perked right up, and so I have been paying close attention ever since and now there's more casting news...

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Elisabeth Moss reads "The Lottery"

What a morbidly thoughtful surprise! NEON would you like to consider Elisabeth Moss as Shirley this season for awards. So here's Elisabeth Moss reading "The Lottery," the famous short story that catapulted noted horror novelist Shirley Jackson to fame. The video is 22 minutes long but if you don't like being read to you can always read to yourself direct from The New Yorker. 

If you haven't yet watched Shirley, streaming on Hulu, you should. It's a good creepy but non-scary option for the season with excellent performances from Moss and screen husband Michael Stuhlbarg and interesting production design too.