Tuesday, August 9, 2016 at 4:00PM Will Smith is a big movie star and has been one for a very long time. What would he choose to wear to promote his new superhero movie at fancy premieres in New York and London?
Why brown and blue suits, as if he's going to the latest formal after work function...
Tuesday, July 26, 2016 at 11:30AM Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand.
Gillian Armstrong is nearly as prolific as a documentarian as she is a dramatic filmmaker. While the likes of her “Seven Years On” series (an Australian 7 Up), her Bob Dylan concert doc Hard to Handle, or the true crime murder mystery of an interior design queen in Unfolding Florence aren’t as well-known as her collaborations with Judy Davis, Cate Blanchett, Mel Gibson, and Winona Ryder, they are eclectic and passionate works nonetheless. As she said in her interview with Jose last year at Toronto, “there’s a different art to making documentaries” and unlike many other directors who split their time between mediums, her documentaries do feel distinctly unique from her other work and yet equally essential.
Her latest non-fiction work is Women He’s Undressed, a peek behind the velvet curtain at Orry-Kelly, a costume designer from Hollywood’s golden age. Armstrong posits that he is a virtual unknown – a claim a deliciously acidic Ann Roth, one of the doc’s more entertaining talking heads, doesn’t have a bar of – including in his home country of Australia. What we do know is that he was gay, secretly dated Cary Grant, Bette Davis was fiercely loyal to him, and that he had a hand in some the greatest films of all time from Casablanca to 42nd Street, An American in Paris to The Letter and many more. You don’t win three Academy Awards without being a little bit special!
[Jane Fonda, Marilyn Monroe's breasts and more...]
Wednesday, April 13, 2016 at 6:10PM Jose here. The very first time I went behind the scenes at The Metropolitan Museum of Art, there was an image that immediately caught my attention. A big, bright yellow sign commanding walkers to yield to the works of art in transit. It didn’t only make me wonder how many pieces by Da Vinci, Rodin, Renoir, Van Gogh, Warhol, Kahlo and many other established legends had travelled through the corridors I was walking in, it also made me wonder how many Alexander McQueen and John Galliano gowns had followed them. If the idea of fashion as art remains to some a topic of debate, it has never been so at the Met where it plays an essential part in raising awareness of the Museum’s outreach through the Costume Institute.
For decades, the Costume Institute has been holding a Gala to raise funds to preserve and expand its collection of over 30 thousand costumes and accessories that range from centuries old furs, to iconic dresses worn by Jackie O. The Gala is at the center of Andrew Rossi’s documentary The First Monday in May which was chosen as the Opening Night selection at the 2016 Tribeca Film Festival. Our conversation with Rossi after the jump...
Tuesday, February 16, 2016 at 10:30AM Jose here. London, bloody London, or rainy for that matter. It seems that as usual, it was either freezing, rainy or both at the BAFTA red carpet, and while sometimes the inclement weather makes for some truly adorable moments when actresses must accesorize accordingly (remember Marion's cute faces trying to stay dry in 2013?) sometimes it doesn't (Kate's gigantic umbrella in 2009 was a tragedy) This year we had two beautiful ladies showing us the right and wrong way to do it. Rooney Mara took on the red carpet in Givenchy Haute Couture which she chose to cover under a shapeless black coat. Once she removed it, there wasn't much to see either, she has worn this exact same dress at least 100 times by now. She gets points for being so funny/dismissive about the red carpet game though.
No, everyone's yelling at you"
...she said to a reporter who asked if she liked the experience.
Wednesday, November 25, 2015 at 10:28AM Jose here. Nicole Kidman won another award! Nathaniel recently praised her work in Photograph 51 in London, and the voters at the Evening Standard Theatre Awards agreed with him, for they gave her a Best Actress award to go with her Oscar, Globes and other statuettes.
Nicole wasn't the only movie-related winner: James McAvoy and Imelda Staunton, also won awards for their work in The Ruling Class and Gypsy, respectively. At the event Nicole was simply majestic in an Alexander McQueen design.
...and before you all whine about how Cate wore it better (she did wear a similar McQueen to the Robin Hood premiere at Cannes in 2010), be reminded that...
a) McQueen should be worn by all screen queens
b) Nicole is flawless!
c) Cate was in Robin Hood...
d) most importantly, Cate and Nicole love each other as proved by this image to your left.
Before I lose you to fantasizing about Nicole and Cate in Carol Part Deux, let's move on to our other looks of the week...
