Hepburn, Givenchy and "Funny Face": A Match Made in Heaven

by Cláudio Alves

Throughout the histories of cinema and fashion, there has seldom existed a more glorious collaboration than that of Audrey Hepburn and Hubert de Givenchy. The English actress and the French couturier first worked together in the 1954 movie Sabrina, a costuming masterpiece whose iconic fashions and contentious crediting have been previously written about at The Film Experience by abstew. After his uncredited contribution to that Billy Wilder classic, Givenchy would go on to dress Hepburn on and off-screen many more times, though he always got the credit he deserved after the Sabrina kerfuffle.

That was wise of him since, in 1957, he received an Academy-Award nomination for what is one of Audrey Hepburn's most stylish screen adventures, the indelible Funny Face… 

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Phantom Thread: When bad fashion is good costume design

by Cláudio Alves

There are many ways to talk about Phantom Thread. My favorite Paul Thomas Anderson production is, among other things, one of the best films about romantic love I've ever seen, looking at the way that loving another person is to willingly become vulnerable to them. To love is, in essence, to open ourselves up to the possibility of mutually assured destruction. The picture is also a canny dissection of the muse/artist relationship, one that illuminates matters of obsession, dynamics between the sexes, the luxuriant pleasure of touching silk, and gazing upon that which is beautiful. It's all that and much more, a multifaceted jewel of cinema about which I could write endless rhapsodies of passionate praise.

Still, for this piece, let's look at the aspect of the movie that earned one of its makers an Oscar (and a jet ski). I invite you all to peruse the costumes Mark Bridges created for Phantom Thread, a film which proves that lackluster fashion can be masterful costume design…

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A Decade of Oscar Fashion: Top 10 Looks

by Cláudio Alves

Despite dwindling ratings and ever-growing criticisms, the Academy Awards ceremony is still one of Hollywood's grandest nights. For Oscar enthusiasts, it's like Christmas. For fashion lovers, it's a glamour fest like few others. As we look back at a decade of past ceremonies, we can't help but be dazzled again by the stylish wonders we saw parading through the red carpet each golden night. Since we love list-making, it seems fit to consider such a topic through the lenses of a top 10, elaborating on what were the most memorable and beautiful outfits of Oscar's last decade.

Before we get to the very best, we must celebrate some honorable mentions. From Billy Porter's take on a classic tuxedo to Quvenzhané Wallis' puppy purse, the last ten years were made more glamourous by these Hollywood beauties…

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Natalie Portman and Waad al-Kateab Make Fashion Statements

 by Murtada Elfadl

The Oscars global stage is always good for bold statements and some chose to convey their messages by what they wore. Natalie Portman continued her side eye to Hollywood for not recognizing female directors by wearing them on her dress...

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Pride Month Doc Corner: 'Halston'

By Glenn Dunks

Once again, The Film Experience and Doc Corner is celebrating Pride Month with a focus on documentaries that tackle LGBTIQ themes. This week is Halston, a fashion bio-doc about the famed American designer.

He was arguably the most famous out homosexual in America; feted by magazines and talk-shows, lauded in name by celebrities from coast to coast. A man of a certain time who emerged timeless; a pillar of an industry that had remained strikingly insular until his brand helped bring it to the American masses. Roy Halston Frowick left his impressionable mark on history early on, designing First Lady Jacqueline Kennedy’s iconic pillbox hat and translated that mark of destiny through a career that weaved down runways, across discotheques and into department stores.

His life is given an appropriately razzle-dazzle treatment in Halston from director Frédérick Tcheng. Told through the unusual narrative device of a fictional, unknown woman researching his life through video tapes, Halston is one of the more formally interesting examples of the fashion bio-doc genre and is infused with an atmosphere that is as slinky as one of his bias-cut dresses while also embracing his extravagant Manhattan lifestyle of chic glass offices, limousines and cocaine that evoke an era of lavish and queer excess.

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