Review: "The Good Nurse"

By Christopher James

Talented actors can only take a project so far. Netflix’s latest feature, The Good Nurse, lives up to its title, but not by much. Based on a true story of a nurse who poisoned a large number of patients across ten hospitals, the source material is perfect for a true crime obsessive. However, what usually makes those stories interesting are the odd details that lodge into a viewer’s brain, making the story unable to shake off. The Good Nurse is an aggressive play straight down the middle, as it opts to be more of a character piece. Oscar winners Jessica Chastain and Eddie Redmayne do plenty of heavy lifting in the lead roles, but can’t turn an okay movie into a great one.

Our titular “Good Nurse,” Amy Loughren (Jessica Chastain) is what we call a trope magnet...

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Review: 'Ticket to Paradise'

By: Christopher James

It's an Ocean's Eleven reunion, as George Clooney and Julia Roberts headline "Ticket to Paradise"They don’t make them like they used to.

I’m talking about movie stars, not movies. From frame one of Ticket to Paradise, Universal’s new romantic comedy, George Clooney and Julia Roberts have not just expertly defined their “love to hate” relationship. They’ve also reminded the audience that movie stars like them don’t exist anymore, and it’s a damn shame. Clooney’s twinkly eye and Roberts’ infectiously wide grin both make them instantly recognizable. However, both actors are shrewd enough to know how to use their movie star gifts for maximum effort. Ticket to Paradise hardly reinvents the wheel, but it is a breezy enough excuse to reunite the Ocean’s Eleven co-stars for an incredibly fun and funny trip to Bali.

The stage is set pretty quickly.

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Review: "Piggy" is a visceral nightmare

by Cláudio Alves

© Magnet Releasing

Somewhere in the Spanish countryside, in a small town of Extremadura, Sara lives the kind of earthly hell familiar to many of those who grew up as fat teens. Judgment comes from every direction, shame inflicted upon her until it curdles the spirit. It's not just strangers that hurt, for a casual remark from one's mother can be so lacerating it leaves a scar. Still, there's nothing worse for Sara than her peers, cruel kids who couch their hatred in vacuous assertions that they mean well, that it's for her own good. A trip to the pool for Sara becomes another opportunity for torment at the hands of mean girls, including former friends.

Nearly drowned, her clothes stolen, a humiliated Sara walks home half-naked under the summer sun. It's then that a mysterious van appears, looming ominous in her path. Inside, the girl's tormentors lay powerless, victimizers turned victims at the hands of a kidnapper cum killer. Sara sees it all, the man in charge sees her, and they both do nothing – the van drives away…

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Film Review: Downton Abbey: A New Era

The sprawling cast of "Downton Abbey" goes to France and gets into the movie business in this new sequel.By Christopher James

Martin Scorsese described Marvel movies as theme park rides, not films. As derisive as that is, there’s some truth to it. What are theme park rides other than rushes and thrills, zooming through a theme or story with the sole purpose of making you react and cheer? If Marvel movies are a roller coaster, Downton Abbey: A New Era is an ornate, hundred year old Merry-Go-Round. It’s a theme park ride in that it exists solely to take fans through the hallowed halls of Downton, rather than to make a grand cinematic statement. That’s what makes this installment much better than the previous film. It cycles through the greatest hits with tremendous efficiency and spirit. The large ensemble is all smiles as they sip tea and gossip. Penelope Wilton and Maggie Smith land every sassy remark with a knowing grin. Girls just want to have fun, and my is Downton Abbey: A New Era low thrills fun!

Like a schoolyard dodgeball game, Downton Abbey: A New Era sets up two sides and divides its characters up between the two plots hastily. No sooner does the wedding between Tom (Allen Leech) and Lucy (Tuppence Middleton) end before Violet Crawley, the Dowager Countess of Grantham (Maggie Smith) decides to upstage them with her own revelation.... 

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