TIFF 50: Lucía Aleñar Iglesias wins the FIPRESCI Prize for "Forastera"

Light has character. In Lucía Aleñar Iglesias's feature debut, Forastera, it also has a soul, manifesting spirits intangible and far away. Through variable brightness and mysterious movements, it bridges times and places, the here and there, our commonplace existence and something that might not be the beyond but is closer to such abstractions than to matters of the flesh. You can feel it in your bones, even before a sage old woman looks at a flickering light and describes its inconsistency as proof of ghosts roaming around the house. It's right there, at the film's start, when Iglesias sets her camera on two sisters sunbathing during their Mallorcan vacation.
The eldest shares the tall tale of a dolphin sighting, daring the other girl to doubt her. As they talk, clouds pass over and the temperature of the tableau shifts from warmth to cold grey and back again. They flicker like the faint impression of a candle flame, a picture of serenity volatized. More than just its subject, the frame itself feels animated by an impossible life…