Interview: Fran Kranz on His Directorial Debut, ‘Mass’

By Abe Friedtanzer

In the middle of this second virtual Sundance, I was fortunate to be able to revisit one of the highlights of the first virtual edition which is now eligible for awards consideration: Mass. It’s been troubling to see that, despite initial early buzz for the film and for its cast, particularly Ann Dowd, it’s missed out at a number of important precursors, including that SAG Cast nomination that should have been... 

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Meet the Parents

by Jason Adams

I'm can't really do a TFE-patented "Yes No Maybe So" for the just-dropped trailer for Mass -- writer-director Fran Kranz's Sundance smash that gives four great roles to the character actors Ann Dowd, Reed Birney, Jason Isaacs, and Martha f'ing Plimpton, playing the parents of two children involved in a school shooting -- because the trailer is mostly critical hosannas from Sundance, with maybe ten seconds of actual and intense footage from the intense film slammed down at the end, a bit like a punch in the gut. What am I gonna say, "Yes to that Variety quote but I'm iffy on the one from the Post?"

Anyway I already saw the movie at Sundance and it should be a yes for all of you, just trust me. All four actors have made it clear they're aiming for Supporting nominations Oscars-wise, and I wouldn't be surprised to see all of them make it. I'm rooting for all of them! The film hits NYC & LA on October 8th and rolls on out after that. Here's that trailer...

Sundance: Discussing Grief in “Mass”

By Abe Friedtanzer

 It’s always interesting to see actors step behind the camera to direct, both for the subject matters they choose and the times they decide not to cast themselves in their projects. I was particularly moved by William H. Macy’s debut in that role with Rudderless, which played at Sundance in 2014 but didn’t go very far after that. It dealt with a father struggling to connect with his late son through his music after a school shooting. Now, Fran Kranz, who I always remember as Topher on Dollhouse, is exploring a similar concept as writer and director of Mass.

The film opens with church staff members setting up a room for an awkward meeting set to occur between two sets of parents...

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The Only Thing You Have To Fear Is

Team Experience from the Tribeca Film Festival - here's Jason on "Rebirth" and "Fear Inc."

It's weird that I brought up the 2006 film Severance last week when reviewing director Christopher Smiths' latest, because as soon as I sat down to watch Rebirth, writer-director Karl Mueller's new film about a suburban office drone sucked into a nightmare spiritual retreat, Severance was on my mind once again. Rebirth is never half as nasty as that film but the dots are there to be connected. This, too, is a satire most black about the search for that something greater than the proverbial pushing of pencils.

Kyle (Fran Kranz, Whedonite staple) starts the movie with a life that's tossed off in one of those meaningfully repetitive montages straight out of Fight Club. You know the type: coffee, car, cubicle, coffee, car, cubicle, and on and on to a not-early-enough grave...

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I'm Mad As Hell And I'm Not Going to Link It Anymore

CHUD James Franco to direct a film based on the making of bad movie everyone obsesses over which I haven't seen The Room. You guys, I can't even with Franco's lack of focus. I mean I don't dislike him. I think he's interesting but he is way too scattered. 
In Contention on Santa Barbara's Robert Redford tribute
Guardian Valentino makes a gauche error, pimping the fact that Amy Adams carried a Valentino bag to PSH's funeral stating they didn't know it was a funeral photo. Um, everyone is in black and they look abso-depressed
MNPP who knew that Fran Kranz from Dollhouse had that chest under his clothes and why on earth didn't Joss Whedon exploit it on that oft-horny show?

NY Times Maureen O'Dowd wonders what Network's Paddy Chayefsky would think of today's click-driven world with its total monetization of every editorial decision
Awards Daily a BAFTA members favorites
Coming Soon Gravity becomes only the third film (after Avatar and The Dark Knight Rises) to earn over $100 million from IMAX screenings alone
Variety the ongoing saga of "Alone Yet Not Alone" continues. It's now selling briskly and nominated for the faithbased MovieGuide Awards 
i09 will The Runaways -- if Marvel ever makes it -- be their Godfather?
Salon talks to the director of The Great Beauty on Italy's Oscar dreams. (For those who are not aware Italy has the most Oscars in the Foreign Film category though France has the most nominations.)
Slate "You Still Have Control" Samantha Geimer ("The Girl in the Shadow of Roman Polanski") once again proves herself the smartest most well adjusted and least hysteric person in the room when it comes to the topic of sexual abuse cases - and she lived it! This is a must read for anyone who has struggled to move on from past traumas. 

And the Most Terrifying News of the Week
We're hearing from Coming Soon that John Travolta will be playing Gummy Bear, or Gummibear if you prefer or are European, in an upcoming animated film version of the yummy treat. The character designs look hateful, really and not much like the actual food stuff.

Frankly, I don't see the point in a Gummy Bear movie when the deliciousness was already twice immortalized via Robot Chicken and Hedwig and the Angry Inch...

Luther: You must like candy.
Hansel: I like Gummi Baerchen