Sunday, October 23, 2022 at 7:00PM by Elisa Giudici
JEONG-SUN
Two indie movies about how women find and lose love and an ambitious production about the life and art of Caravaggio. At the end of the day, it's one small gem followed by two disappointments...
Wednesday, August 31, 2022 at 10:44PM 
Last year, The Film Experience welcomed a new series – Cannes at Home. While works by the world's greatest auteurs premiered at the Croisette, the project was an aid to combat FOMO for those not fortunate enough to attend the event. Now, it's time to introduce a new endeavor focused on the Venice Film Festival and its official selection. From August 31st to September 10th, this series will consider past works from the many filmmakers currently presenting their films in competition, offering a parallel program you can enjoy at home. At the same time, Elisa Giudici will be in Venice, updating us on the festivities.
First up, there's the opening film – White Noise. While we wait for Noah Baumbach's latest to arrive, let's recall the director's history…
Frances Ha, Greta Gerwig, Noah Baumbach, Venice, Venice at Home, White Noise Thursday, January 6, 2022 at 11:46AM A new series by Christopher James
Noah Baumbach at a screening of Frances Ha
Do one for them; do one for you. If you can still do projects for yourself, you can keep your soul.
— Martin Scorsese: A Journey
Many creatives have pointedly or inadvertently taken Martin Scorsese’s career advice. One has to hit it big in order to have clout in Hollywood. Often, it takes clout to make passion projects. In this column, we want to look at the times wherein a filmmaker or actor’s career triumphs have come at a time where they’ve also had to make compromises. In some cases, people have taken the easy cash grab in order to sustain more creative endeavors. Other times, the populist “one for them” ends up being a creative triumph, loosening the talent up.
The first entry in this series belongs to Noah Baumbach, for his wonderfully chaotic 2012. In the same year he begins his partnership behind the camera with Greta Gerwig in Frances Ha (released in 2013), he secretly writes Madagascar 3: Europe’s Most Wanted. Do these movies share any DNA, or is it a textbook case of “one for them (I need money), one for me (I’m an artist)”?
Tuesday, September 29, 2020 at 2:31PM 
Scene: Paris
Frances is a dancer by trade, but I think it’s fair to say that throughout Noah Baumbach’s Frances Ha her real art is poor decision making. In that regard, her impromptu trip to Paris is her masterpiece.
The spontaneous journey to France is the quintessential youthful indulgence. “Oh to be so young and free that I could drop everything and jet off to Europe.” Unfortunately for Frances, Baumbach’s films delight in subverting such self-consciously grand gestures. In Kicking and Screaming a character engages in the classic end-of-movie race to the airport only to find he can’t get a last minute ticket. When the cashier offers him a ticket for the following day he deflates and declines. The moment will have passed by then. Frances doesn’t merely run to the airport, she flies to the other side of the Atlantic. As such, her antics earn her an even more brutal dismantling...
Wednesday, November 8, 2017 at 12:30PM Lady Bird is a hit, so Chris is dancing in the street with Greta Gerwig to Frances Ha's soundtrack!
There aren’t many films that use music to capture a state of transition better than Frances Ha, particularly growing out of immature idealization. The film uses its heroine Frances’s addresses as chapter markers, but the flourishes of music notate her waning optimism and intensifying self-actualization. It’s like a variation on Woody Allen’s Gershwin obsession, but here it’s the character glamorizing her life rather than the film itself.
Music is an integral part of creating her internal fantasy. The twinkling, carefree instrumentals provide the lens with which we experience Frances’s world - or at least a more gilded version of how she envisions herself living in it. In tandem with the film’s precise editing and Greta Gerwig’s tremendous performance, the music choices make her everyday life a daydream that’s headed towards an inevitable collapse.
