The Furniture: A Last-Minute FYC for the Home Décor of "Paterson" and "Jackie"

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

Oscar balloting has begun! As Nathaniel explained last week, AMPAS branches have received their nomination ballots. They’re due on the 13th. The Academy’s production designers occasionally make offbeat choices, though they don’t do it as often as the costume designers or the makeup artists. So here’s a final nudge on behalf of the best work of the year.

I’ve already written about three of the five movies I’d nominate, were I in charge. The crazed fandom of the apartment in Florence Foster Jenkins is a work of precision and inspiration. So is the heavily curtained metaphor that is the mansion in The Childhood of a Leader. The hotel in The Lobster, meanwhile, is as perfectly sterile as the above settings are feverish. All three would be a thrilling surprise on nomination morning.

My other two have become less present in the awards conversation than I’d guessed...

Click to read more ...

FYC: Moonlight, Best Original Score

By Chris Feil

It's always ceaselessly frustrating to see deserving below-the-line work from so-called smaller films miss out on Oscar nominations. Even when a film is a favorite in the major categories, it can still be hard to break through beyond major races - just look at last year's Room. This year, Moonlight deserves those nominations for its behind-the-scenes craft, each of its elements too powerful and integral to deny. But for brevity's sake, I'll just call attention to its evocative score by Nicholas Britell.

Britell threads recurring melodies and tones through each of Chiron's chapters without feeling repetitive. As the piano theme comes in and out, it takes us back to the previous struggles that add weight to the fresh one, just as life is connected memory to memory. The sharp strings show the soaring relief of a moment like Juan teaching him to swim, but also reveal the anxiety of being seen for what he truly is, the fear of what that means.

Click to read more ...

FYC: Lucas Hedges, Best Supporting Actor

by Brian Zitzelman

As a vital player in Kenneth Lonergan's Manchester by the Sea, which at this point in the Oscar race appears a lock in many a category, if not particularly a frontrunner in any of them,  Lucas Hedges might seem preordained to be a member of the Best Supporting Actor club in the months to come.

However, Hedges isn't - hopefully - getting in by shear wave of momentum for the movie. His Patrick is a vital, memorable part of the Manchester puzzle...

Click to read more ...

FYC: Lily Gladstone, Supporting Actress

by John Guerin

I could not have predicted that in a movie starring Laura Dern, Kristen Stewart, and Michelle Williams, a performance by relative newcomer Lily Gladstone would leave me the most affected. The best short film of 2016 is the third act of Kelly Reichardt’s Certain Women, in which Jamie (Gladstone), a solitary Montana rancher, falls for Beth, an out-of-town lawyer (Stewart), who is stuck teaching an educational law night class four-hours away from her home in Livingston. Stewart, unsurprisingly, adds another formidable performance to her collection of direct yet remote modern women, but the revelation here is Gladstone, who contributes a sensational breakthrough performance that deserves The Academy’s attention...

Click to read more ...

Oscar Balloting Begins. What are your top three FYCs?

Tomorrow's the day awards-freaks, January 5th, 2017. Oscar nomination balloting begins. Where the buzz falls now is where the buzz settles. AMPAS branch voters have just 8 days to finalize their ballots (they're due by the 13th). January 14th through 23rd then becomes our awards purgatory and on the 24th when nominations are read we learn who goes to heaven and who is cast out for good, forever doomed to be considered a "snub" to their future fans. Pardon the tortured analogy but the Oscars are our religion!

This past week has been a very strong week for La La Land and Fences with fantastic box office grosses for each as they went wide. The hottest titles from October and November (Manchester, Moonlight, Arrival) can also feel pretty safe about their potential nomination hauls. But there are several titles that are a bit harder to read in terms of possible Oscar love. Those are the titles that expanded too late for a definitive take from the precursors (20th Century Women, Lion, Silence, and Hidden Figures) and their counterparts, the titles that were too "old" (i.e. released before October like Sully, Hell or High Water, Florence Foster Jenkins, Captain Fantastic, Zootopia, Love & Friendship) for precursor season's problematic but blatantly obvious "shiny new toy" syndrome in which everything that's just opened must be prioritized above all else. 

If you had three FYCs and three FYCs to impress on Oscar voters this week, what would they be?