The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Considering I haven't watched it in almost 10 years, it was amazing how much I could accurately recall from Lee Daniel's Precious. As I revisited the Academy-Award winning film to write this piece, I found myself startled at how much of it had seared into my mind. A few line readings were so vivid that, even before hearing them again, they felt like echoes from years ago. Individual scenes had metastazied into memories like vociferous ghosts, brighter than any recollections of my actual life.
The way Gabourey Sidibe says that nobody loves her still hurts, a dagger of vulnerability mercilessly plunged into the audience's heart. No less affecting is Paula Patton's desperate response, assuring Claireece 'Precious' Jones that she is loved. Notice how Mariah Carey shows her social worker's interiority through repressed horror. She wears an armor of acerbity, delivering her lines with a put-upon dryness that both masks and iluminates the hurt inside. Then there's Mo'Nique and her final monologue, a sobbed question tearing through her throat and reminding us that this monster is painfully human. The film even packs some comedic delights. Who can forget Xosha Roquemore telling the class that her favorite color is fluorescent beige?
Difficult People is back and Chris and Spencer will be chatting about this season!
Julie and Billy begin the season doing community service for wrecking a live televised musical. Billy lands a gig as the audience warmup for a new Larry Wilmore talkshow, while Julie tries to score some new antidepressants to get through Passover dinner.
CHRIS: That opening live musical joke was a great capsule of the show's humor: a blend of mass entertainment and niche references with a huge serving of outrage. I'd have an even harsher revolt to Bazinga in the Park with George however.
SPENCER: But if anything, it gives us that brief gag where they’re picking up trash along the Nathan Lane Roadway Memorial. It’s such a great way of keeping that world-building alive and comical.
Manuel here trying to not to make a big deal out of that “Grace of Monaco will be premiering on Lifetime” news. The Emmy campaign begins now, yes, but gosh, there really is no wrath like a Weinstein scorned, is there? And so, rather than try and come up with a witty headline (maybe something like “DisGrace”?), I figured we’d look onward by checking out some casting news about some of our favorite up and coming (read: young) actresses. In other words, imagine we here at TFE brought all of these talented gals together, shot our very own Vanity Fair-style cover, and this is just a helpful guide as to where to see them next:
Mia Wasikowska She’s been tormented by Nicole Kidman in Stoker, she’s tormented Julianne Moore in Maps to the Stars, and while I wish I could announce she’ll finish collecting all The Hours ladies with an upcoming Meryl Streep film (we know Meryl loved her in Jane Eyre) she’ll actually be tormented and persecuted by her Lawless co-star, Guy Pearce, in the upcoming Western thriller Brimstone.
Mia is building quite the filmography, no?
Brie Larson After her head-turning lead role inShort Term 12, Larson has been oddly not busy (let’s not speak of The Gambler). Thankfully, 2015 looks busy enough: we’ll be seeing her next in Trainwreck, while two other films (the claustrophobic sounding Roomand the India-setBasmati Blues) feel like fall films. She’s just signed on to Ben Wheatley’s Reservoir Dogs-style flick Free Fire, where she’ll co-star against a trio of hunks: Luke Evans, Armie Hammer and Cillian Murphy.
I really hope Larson has some Trainwreck scenes with Tilda (here pictured with Schumer)
Keke Palmer Akeelah and the Bee was clearly just a beginning. Since, Palmer has been making a name for herself, both on Broadway (where she was the first African-American Cinderella) and on TV (with recurring roles in 90210, Masters of Sex and starring roles in Lifetime’s A Trip to Bountiful and VH1’s CrazySexyCool: The TLC Story). Now she’s joined the merry band of Ryan Murphy players in Scream Queens:
Kristen Stewart Hot off being the first American actress to win a Cesar Award (for Clouds of Sils Maria which opens this weekend; go see it!) and chastising the “big, big, big green monster of cash” that fuels the current celebrity news industry, Stewart has been lined up to star with Brendan Gleeson in a Scottish historical film titled The Great Getaway.
Stewart really is amazing in this two-hander with Binoche.
Gabourey Sidibe I can’t be the only one happy to see Gabourey’s post-Precious career continue to flourish. After parts in TheBig C, American Horror Story and Empire, it seems she’s found a footing in television and that’s where we’ll see her next in Billy Eichner and Julie Klausner’s Hulu comedy Difficult People.
Sidibe has a recurring role as the manager of the coffee shop where Eicher's character works
Don't you find it refreshing that none of these actress casting notices mention tentpoles, blockbusters or otherwise multiple-film franchise contracts? Which one of these projects are you most excited about?
Wednesday, November 6, 2019 at 3:06PM 
Considering I haven't watched it in almost 10 years, it was amazing how much I could accurately recall from Lee Daniel's Precious. As I revisited the Academy-Award winning film to write this piece, I found myself startled at how much of it had seared into my mind. A few line readings were so vivid that, even before hearing them again, they felt like echoes from years ago. Individual scenes had metastazied into memories like vociferous ghosts, brighter than any recollections of my actual life.
