FYC: Gwendoline Christie for Best Supporting Actress in a Drama
Friday, June 12, 2015 at 11:01AM Members of Team Experience were asked to share personal dream picks for this year's impending Emmy nominations (with the caveat that they can't have already won the Emmy in that category). Here's Michael C...
Aren’t you just marvelous! Absolutely singular.”
- Lady Olenna upon meeting Brienne of Tarth
I’m guessing the reactions of a great many audience members mirrored that of Diana Rigg’s Queen of Thorns when they first saw Gwendoline Christie as Brienne of Tarth. She cuts such a striking figure, and the match of actress to role is such a flawless one, that it might have taken a few episodes to move beyond fascination with her presence and notice the skill. In a show with numerous longstanding mysteries, Christie has turned the character of Brienne into one of the most consistently compelling. What drives this astonishing woman with her fierce loyalty and her unshakable sense of honor?
This most recent season has offered glimpses into her past, particularly Christie’s moving monologue about the humiliation she received as a youth, but such a wonderfully complex character can’t be reduced to a single anecdote. Brienne is the closest thing to a pure hero that George R.R. Martin’s brutal worldview will allow and Christie manages to keeps her multi-dimensional enough that she is not out of place on such an unsentimental canvas. The actress articulates every wrinkle of Brienne’s prickly personality careful not to skip over her flaws like her stubbornness or the idealism that verges on naïveté.
Her Brienne of Tarth also stands as a magnificent piece of physical acting. Christie doesn’t just sell her character’s legendary fighting prowess – no small accomplishment – she is able to modulate her fighting style to Brienne’s state of mind.
In lesser hands Brienne might have come off as more of a concept than a person. A self-conscious attempt to toy with Martin’s favorite theme of outsiders with no place in society. But Christie keeps her so specific that the idea of tokenism never enters into it. She isn’t just the idea of a female warrior there for symbolic value. She is, as The Hound memorably put it, Brienne of fucking Tarth.
Previously on our Emmy series
The Americans, Best Drama | Jane the Virgin, Best Comedy | Lisa Kudrow, Actress | Jon Hamm, Actor | Ruth Wilson, Actress | Matt Czuchry, Supporting Actor and... Cara Seymour on creating "Sister Harriet" on The Knick and that insanely competitive Supporting Actress in a Drama Series Race
