Oscar's International Race - Pt 2: Random Stats and Key Trivia

Now that we have the whole list of 93 films vying for the Oscar for Best International Feature Film, it's time for a collection of trivia regarding this particular vintage...

LONGEST FILM
The Painted Bird (Czech Republic) is just 11 minutes shy of three hours. Lots of films are that long but given that this movie has been referred to as 'the child rape Holocaust movie' three hours sounds utterly punishing. Naturally then, it's split audiences between 'masterpiece' and 'unwatchable' camps. Runners up: Domain (Portugal) and Truth or Justice (Estonia) are just a little bit shorter, both about two hours and 45 minutes long.

SHORTEST FILM
Poisonous Roses (Egypt) is just 70 minutes long. It's reportedly a mood piece about life in lower-class Cairo that primarily focuses on the relationship of a sister and brother. Runners up: The light documentary When Tomatoes Met Wagner (Greece) is just two minutes longer than that one. Belgium's Our Mothers, Belarus's Debut, Lithuania's Bridges of Time, Albania's The Delegation, and Montenegro's Neverending Past are the other really short titles, all clocking in at 80 minutes or less.

Movie stars, languages, and gayness are after the jump...

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TIFF Quickie: Crazy White Women!

by Nathaniel R

For this last batch of short TIFF reviews, let's look at three films about mysterious and/or psychologically complex female characters. The post title was glib but the films aren't. 

DISCO (Jorunn Mykelbust Syversen, Norway)
This puzzling drama centers on a champion dancer whose mom and step-dad run some kind of evangelical church. Apparently in Scandivania -- as with America -- conservative faith movements are on the rise. Syversen shows empathy for her characters but chills it with a clinically detached rhythym to the cutting. The lost protagonist Mirjam (Josefine Frida Pettersen) has mysterious physical troubles and vacant psychology that can bring flickers of Todd Haynes' Safe (1995) to mind.

Syversen's strongest skill seems to be in observational mode. In one escalating series of scene at a Jesus camp the choices in camera distance are particularly compelling. In medium shot we observe a group of boys being told to breathe quickly in and out of paper bags to drive out the demons inside them. Cut to a long shot as we watch them comically pass out as they hyperventilate. This is a followed by a not at all comical baptism that is shot more like a drowning. Despite Syverson's obvious skill and a tight running time (94 minutes), Disco is far too repetitive and its point of view remains as opaque as Mirjam's psychology. It's not enough, always, to merely observe. C

EMA (Pablo Larraín, Chile)
The first image is a startling one: a still working traffic light engulfed in flames...

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Stranger Links

• Backstage casting notice for Asian actors. As @AnnieW pointed out on twitter this can't be anything other than the live-action remake of Akira
• Cinematic Corner ten best scenes in the Stranger Things series before the new season premieres
• Coming Soon how many times does Anna Karenina need to be remade? Apparently that's still tbd since there's another one coming

More after the jump including Carice van Houten, Darth Maul, Quentin Tarantion, and news of a new Clint Eastwood film...

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Game of Thrones "The Long Night" (S08E03)

previously

by Ben Miller

This weekend culminated with two of the most anticipated entertainment events in recent history.  While Avengers:Endgame was watched by everyone on the planet, Game of Thrones finally reached the Battle of Winterfell against the army of the dead...

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De Palma's Domino Falls Shortly

by Jason Adams

Last year marked the 50th anniversary of director Brian De Palma making feature-length films -- I've never seen 1968's Murder à la Mod, which was thought lost until it popped up as an extra on Criterion's Blow Out disc in 2011 (can we all just agree that Criterion is nuts, you guys), but I think it's safe to guess that there's something worth seeing in it because even at his worse (and he's had plenty of those moments) Brian De Palma always gives us something to stare at... 

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