Smackdown '70 Companion Podcast Pt 2: "Five Easy Pieces" and "The Landlord"

Smackdown in 3 Parts
• The Write-Ups
• Podcast Companion Part 1
And now the conclusion!...

Pt 2 (39 minutes)
On the second half of the Supporting Actress Smackdown podcast we discuss Hal Ashby's debut film The Landlord (1970) starring Beau Bridges and Lee Grant. We theorize about why it's not more famous and what would have happened with the great African-American actress Diana Sands if she hadn't died so soon after the movie. We also make some time for the Best Picture nominee Five Easy Pieces and its abundance of actressing, not just Karen Black! 

You can listen to the podcast here at the bottom of the post or download from iTunes. Thanks again to the panelists: Mark Blankenship, Dan Callahan, Denise Grayson, Lena Houst, and Bobby Rivers . Continue the conversations in the comments, won't you? 

Pt Two: The Landlord and Five Easy Pieces (1970)

Cannes "82 Women" protest on behalf of female filmmakers

by Nathaniel R

82 women walked the red carpet today at Cannes protesting the lack of female filmmakers represented at the festival over the years. The number 82 is the number of films directed by women that have been in the main competition lineup since Cannes began 71 years ago (3 of which are this year). All the famous talented women from this year's jury led by Cate Blanchett were there along with the Godmother of the French New Wave,  recent Honorary Oscar recipient AND nominee Agnes Varda. Blanchett and Varda gave the speech in English and French which went like so:

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Months of Meryl: Death Becomes Her (1992)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

 #19 —Madeline Ashton, a past-her-prime Hollywood actress who goes to great lengths to preserve her good looks.

MATTHEW: Meryl Streep and her good friend Goldie Hawn once came very close to riding off a cliff together. During the early 1990s, the pair had been in search of a dual-star vehicle to appear in and were initially in contention to play the titular roles in Thelma & Louise, along with one-time possibilities Jodie Foster, Frances McDormand, and Michelle Pfeiffer. Hawn and Streep actively courted Pathé Entertainment’s former C.E.O. Alan Ladd, Jr. for the parts and even tossed around ideas for a happier alternate ending. (Streep, who would have played Louise, wanted Thelma to live.) Eventually, Streep’s schedule got in the way, while Ladd deemed Hawn an iffy fit for the project, clearing the way for Geena Davis and Susan Sarandon to take on the most popular parts of their careers...

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Vintage '70 - Marinate in it!

The Supporting Actress Smackdown 1970 Edition arrives in three weeks (we've moved the date to May 13th) so as we approach and you vote (hint hint), let's talk context in movies and entertainment... 

Great Big Box Office Hits: When it comes to box office, there are a lot of competing sources about what films were massive hits prior to the internet era when tracking success became such a cultural activity. But all sources basically agree that there were five true behemoths at the movies in 1970. The top four were the tearjerker Love Story, the all-star disaster flick Airport, the Altman comedy MASH, and the war drama Patton (remarkably they made up 80% of the Best Picture list... though prior to the 1980s it's always worth reiterating that the public had much more Oscary taste in their movies -- it was public taste that changed, not really the Oscar aesthetic... contrary to much of the grousing you here online about Oscar shunning hits and preferring underseen critical darlings). The fifth consensus smash hit was the Dustin Hoffman Christmas release Little Big Man which scored only 1 nomination from the Academy for Chief Dan George in Supporting Actor; he was the first Native American to score an Oscar nomination in any category!

Chief Dan George in "Little Big Man"Beyond that quintet the details about which films were big hits gets fuzzier though various sources also list some, though never all, of these movies:  Ryan's Daughter, Tora! Tora! Tora!, Chariots of the Gods, The Aristocrats, Joe, Beneath the Planet of the Apes, the documentary Woodstock, and the musical On a Clear Day You Can See Forever.

Oscar's Best Picture Nominees: Airport (10 noms / 1 win), Five Easy Pieces (4 nominations),  Love Story (7 noms / 1 win), MASH (5 noms / 1 win), and Patton (10 noms / 7 wins). Our theory as to what was just outside the Best Picture shortlist plus more '70 goodies follow...

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Contrarian Corner: A Quiet Place

Contrarian Corner is an irregular series in which TFE team members sound off on a film that they just can't join the consensus with. Chris loved the movie (as audiences seem to). But here's Sean Donovan with quite a different reaction...

A Quiet Place is very very quiet, as all of the characters are keen to remind us, frantically throwing up a finger to their lips in a suppressed SHHHHH. The monsters can hear you, a mysterious species blind but intensely sensitive to sound, and capable of swinging in from far off distances to decimate any disturbance in the soundscape. As a result, one survivalist family of this ruined civilization (dad John Krasinski, mom Emily Blunt, children Millicent Simmonds and Noah Jupe) have calibrated their lives perfectly to function without sound.

I, for one, wanted more of a sense of this family’s regular routine in their soundless environment: how do they communicate, how are their lives different, how do they have fun? You can imagine the Swiss Family Robinson or Rube Goldberg machine fun this movie could have had: what are Noah Jupe’s favorite sound-free toys? How does Emily Blunt make toast so the toaster stays PERFECTLY SILENT? 

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