Emmy Category Analysis: Will Anya Taylor-Joy Steamroll Her Way to Victory in Competitive Actress Field?

Team Experience is taking a look at episode submissions in major Emmy categories. 

Anya Taylor-Joy has won every precursor, but can she beat new competition like Kate Winslet and Elizabeth Olsen?By: Christopher James

No category is as stacked as Outstanding Lead Actress In A Limited Or Anthology Series Or Movie. From top to bottom, each of the women nominated in the category give awards-worthy performances in projects as different as prestige dramas, gritty rape stories, biopics and Marvel comedies. Last week, we lamented that the corresponding Lead Actor race lacked variety and a clear frontrunner. The story could not be more different in Lead Actress. Though we do have a frontrunner, each person poses some level of threat that makes this an exciting category to watch.

Let’s take a look at the nominees for Outstanding Lead Actress In A Limited Or Anthology Series Or Movie:

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Emmys Watch: The Embarrassment of Riches in Outstanding Limited Series

Our team is breaking down the top contenders in all the major Emmy races and highlighting some of our favorites over the next few weeks. Today, we’re looking at Outstanding Limited Series.

Will recent hit "Mare of Easttown" be able to dethrone Emmy favorite "The Queen's Gambit?"

By Christopher James

The Outstanding Limited Series category is perhaps the most competitive category of the year. Shows like The Queen’s Gambit, Mare of Easttown and WandaVision commanded the most (virtual) water cooler chatter of the past year. Even with all this abundance of quality, only five shows can make the cut, compared to eight nominees in the series categories. Prestige TV, streaming sensations and genre favorites all combine in the limited series category. This isn’t the first time that Limited Series has been more competitive than the ongoing series categories. The past decade has seen a modern renaissance of the form, with American Crime Story: The People vs. O.J. Simpson, Big Little Lies and When They See Us as recent examples of incredible and incredibly popular TV. Big stars have also been swayed to this form, primarily because of the rich stories told combined with the less stringent time commitment. This year is no different.

Read on to see what shows are in contention this year... 

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Emmy Review: Outstanding Period/Fantasy Costumes

by Nathaniel R

The television Academy split up the costume categories at the Emmys just a few years ago. Given that all awards bodies default to period work over contemporary work if they have a choice between the two (sigh) it's good that they did this. Now contemporary costumes will be able to actually win prizes! This period category, then, feels more like a continuation of the original Emmy category "Outstanding Costumes for a Series"

The nominees are...

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Cinematic Shame... with a "Stay Positive!" Twist

Year in Review. Every day a new wrap-up. Tonight, the "worst" of the year... 

Since we are absolutely determined to make 2017 the greatest year it could possibly be despite oppressive circumstances, let this post serve as last call for excessive negativity. Get it all out of your system in the comments, mkay? We'll also put a positive spin on these dubious "awards" for ungreat things at the movie theaters this year... 

WORST OPENING SCENE(S)
Hacksaw Ridge begins with such overworked hokey cartoonish Americana and Andrew Garfield plays his eventual pacifist hero as such a Forrest Gump style village idiot that it's something of a miracle that the movie becomes a surprisingly watchable war drama thereafter.

Even Garfield manages to turn his initially quite awful (sorry) performance around in the final hour of the film. I personally haven't seen a decent / good movie start so much like it was a terrible movie since Juno, have you?

WORST MIDDLE
Suicide Squad is so inept that it never gets past character introductions. Criticisms that it was just a movie trailer with a real movie running time proved to have deadlier aim than Will Smith's Deadshot.

Best Acting in Bad Movies, and other "Honors" after the jump.... 

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Teensy Reviews: 6 Films We Didn't Review Properly

These reviews could fit in a tweet. Presented to assuage Nathaniel's guilt from not having properly reviewed them when they arrived, though he sometimes dropped hints of his feelings in other contexts.

IN THEATERS

Swiss Army Man (Daniels)
Story: A suicidal man (Paul Dano) finds companionship and a new zest for life when he meets a corpse (Daniel Radcliffe)
Review: Wobbly start, Self sabotaging end. But, Oh!, those imaginative mental heights in the middle. 
Grade: Middle Hour: A- / The Rest: C+

Genius (Michael Grandage)
Story: An account of the long working relationship between famed editor Max Perkins (Colin Firth) and one of his literary finds Thomas Wolfe (Jude Law). Let us not mention the women (Nicole Kidman, The Lovely Laura Linney) lest we rage again at the terrible gender politics
Review: The work of an editor is shape & rhythm, so why is a film about a great one lumpy and lead-footed? Over and under-acted at once. 
Grade: D- 
Extra: Amir's festival review

The Shallows (Jaume Collet-Serra)
Story: A grieving med school dropout is attacked by a shark and stranded in the ocean alone. Can she survive? Review: Mechanical, but that's meant as a compliment. It plays. Slight with just enough bite (sorry). Bonus points for Steven Seagull.
Grade: B 

ON DVD & BLURAY

The Bronze (Bryan Buckley)
Story: Two former Olympic champions (Melissa Rauch & Sebastian Stan) fight over a promising new female gymnast
Review: Rude and daring. But its suffocatingly narrow comic tone mars the promising conceit, good jokes, and a lunatic sex scene. 
Grade: C+ 

How to Be Single (Christian Ditter)
Story: Four single girls (Dakota Johnson, Leslie Mann, Rebel Wilson, Alison Brie) try to find themselves... and maybe a boyfriend... in Manhattan.
Review: Unexpectedly involving performances. Fun. And yet, as uneven and generic as first dates. One entire storyline needs to go.
Grade: B- 

10 Cloverfield Lane (Dan Trachtenberg)
Story: A woman (Mary Elizabeth Winstead) wakes up chained up by a man (John Goodman) in an underground shelter. Should she fear the man or the apocalypse he swears is raging outside the bunker? 
Review: Discomforting. What it lacks in scope, it makes up for in propulsive plotting: from frying pan to fire to inferno.
Grade: B