Oscar Completism: Best & Worst of Supporting Actor

by Baby Clyde

Walter Brennan in "The Westerner". The last of his three wins was the most deserving.

After spending most of my life cataloguing all these Oscar winning performances, I feel uniquely qualified to bore you all with my rankings. We’ll cover my favourite winners before handing out some booby prizes to the all-time worst recipients in each acting category. 

Let’s start with the category that nobody cares about, Best Supporting Actor...

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Gay Best Friend: Addison DeWitt (George Sanders) in "All About Eve" (1950)

A series by Christopher James looking at the 'Gay Best Friend' trope
SERIES FINALE (for now)

She's the bitch who always has the tea... Addison DeWitt.All good things must come to an end (or extended hiatus). Over the past year, we’ve covered 42 examples of the gay best friend spanning from 1955 to 2021. Don’t worry, I’ll be starting a new column very shortly, so you haven’t seen the last of me. However, we are going out in fabulously bitchy style with our final entry. Not only is this our oldest entry, but it’s also the only Gay Best Friend that earned the actor in question an Oscar statue. Needless to say, George Sanders’ Best Supporting Actor win for the gossip columnist Addison DeWitt in All About Eve is one of the best wins in the category.

The central premise of All About Eve is a tale as old as time. Aging Broadway star Margot Channing (Bette Davis) meets an adoring fan one night named Eve Harrington (Anne Baxter). Margot bonds with Eve over her favorite topic… herself. She eventually giving her employment in the theater. Soon, the much younger Eve starts to get greedy, taking some of Margot’s spotlight as the new, younger face of the theater...

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Gene Tierney @ 100: The Ghost and Mrs. Muir

by Cláudio Alves

In fiction, love is more powerful and heartfelt when it's impossible. Be it the doomed lovers in Shakespeare's tragedies or Keira Knightley and James McAvoy separated by war and a child's lies in Atonement, we, as spectators, are predisposed to find beauty in the loves that cannot be. Death is a common way to enshrine romance in the perfection of upended passion. Like flowers plucked and dried, kept in the pages of a book, the love that's cut short by the Grim Reaper's blade can preserve its appearance. If it weren't for that, such amorous glories would do like their floral brethren, rotting away with time until dropping into the earth, a mushy decaying mess.

In 1947's The Ghost and Mrs. Muir, starring Rex Harrison and Gene Tierney, this dynamic between love and premature demise is both perpetuated and upended. Death facilitates and limits passion, making it harder to consummate but also more eternal than mundane existence. In Joseph L. Mankiewicz's movie, the transience of life is no obstacle for romance, quite the contrary…

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The Furniture: Finding the Fear in "The Picture of Dorian Gray"

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

Watching The Picture of Dorian Gray as a horror film in this, its 75th anniversary year, is a bit of a puzzle. It’s almost unrecognizable within the genre, though director Albert Lewin does treat the revelation of the deformed painting itself as something of a jump scare. But the overall vibe is more akin to a period drama or a film noir than anything we would consider spooky today.

That is, until you think about it a little more closely.

 The Picture of Dorian Gray is an atmospheric horror film about things that don’t necessarily scare us nearly as much anymore: arrogance, beauty and the simple fact of sexuality. In this way it does actually resemble the great horror films of its time, monster movies that make much out of giant laboratories and cavernous castles, unnerving the audience through the use of production design. Dorian Gray’s home is of a piece with Dracula’s castle and the Mummy’s tomb...

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Zsa Zsa's Farewell and Other Links...

The Retro Set a "loosely autobiographical review" of 20th Century Women
Variety there's a documentary coming about the men behind the classic "Curious George" books
The Guardian Dick Van Dyke, who is 91 years old, has confirmed that he has a part in Mary Poppins Returns playing the son of one of his two characters in the original (the ancient banker guy apparently rather than the chimney sweep)

Browbeat BAFTA makes a bold move, requiring some degree of diversity to be eligible for awards starting in 2019 (they offer several ways in which you can do that for those worried about artistic freedoms for filmmakers)
Towleroad a list of retailers you should shop at this Christmas since the anti-gay right wing is targeting them.
Decider the year in cinematic smoking 
New Yorker their 16 most read stories this year
Coming Soon Legion, an X-Men spinoff TV series, gets a poster
Awards Daily Vancouver Critics favors Manchester by the Sea in 5 of its 9 categories

Zsa Zsa in the 1980sMore goodbyes... as is 2016's awful habit
Eye for Cinema remembers French actress Michèle Morgan who passed away today at the age of 96 - her credits included Port of Shadows, The Fallen Idol, and Pastoral Symphony (Cannes Best Actress win)
Variety Dick Latessa, who was so wonderful as Mr Turnblad in Hairspray on Broadway, has passed away
New York Times Zsa Zsa Gabor (Moulin Rouge), the last surviving member of the world famous Hungarian Gabor sisters (famous for acting, yes, but arguably more for the 20 marriages between them) has died. She was just two months shy of her 100th birthday! Her sisters Magda and Eva both passed away in the 1990s. Zsa Zsa's last two big screen appearance were cameo apperances as herself in the comedies Beverly Hillbillies (1993) and A Very Brady Sequel (1996). She was the only Gabor sister to have a child but she outlived her daughter Constance Francesca Hilton (yes, of that Hilton family) who died just 13 months ago.

Fun Oscar Trivia: One of Zsa Zsa's nine husbands was George Sanders (All About Eve) and she was married to him during that Oscar-winning career peak. She was considered for the role that went to Marilyn Monroe in that classic.