Ronit Elkabetz (1964-2016)

Terrible news to report today. The great Israeli actress Ronit Elkabetz has passed away at only 51 years of age. 

Her last film proved to be her biggest hit (Gett: The Trial of Viviane Absalem) -- we interviewed her right here -- but that courtroom drama was far from her only gem. We first fell (and fell hard) for the intense raven haired beauty in the astounding Late Marriage (2001) where she played the older woman in a sexually intense love affair with a slightly younger man (Lior Ashkenazi) whose parents were eager to marry him off to a "proper" bride and end his long-standing bachelordom. She won the Ophir (Israel's Academy Award) for that film, one of three wins for her as Best Actress.

If you've never seen "Late Marriage," you really must.She also starred in Or (My Treasure) (2004), the international hit The Band's Visit (2007), and other films in both France and Israel. In the past ten years she'd branched out from acting and with Gett she was directing and writing (along with her brother Shlomi), while continuing to dazzle in front of the camera. Awards groups took notice. She won prizes at the Hamptons, Chicago, Palm Springs, San Sebastian and Jerusalem film festivals for Gett and that last feature also resulted in multiple Ophir nods and a Golden Globe nomination for Best Foreign Film. 

Elkabetz was battling cancer and is survived by her husband and three year old twins. She will most definitely be missed, her rich expanding career cut suddenly short.

Golden Globe Foreign Film Panel

It's Golden Globes night. We'll start covering the red carpet arrivals in a half hour or so. If you missed our predictions those were here on the podcast.

A neat new tradition for the Golden Globes is this focus on their foreign film nominees -- they are the "Hollywood Foreign Press Association" after all. In this streamed event you can hear from FORCE MAJEURE's (Sweden) Ruben Ostlund, GETT: THE TRIAL OF VIVIANE AMSALEM's (Israel) Ronit Elkabetz &  Shlomi Elkabetz, IDA's (Poland/Denmark), Pawel Pawlikowski, LEVIATHAN's (Russia) Andrey Zvyagintsev, and TANGERINES (Estonia) Zaza Urushadze. Interestingly enough -- it's not common -- four of the five Globe nominees this year (all but Gett) are still in the running for an Oscar nomination in the correlative category. 

Second Opinion - Gett & Israel's Oscar Chances

Anne Marie here with a followup to David's review on Israel's Oscar submission. Gett: The Trial of Viviane Amsalem opens with a lawyer staring at his client sitting just offscreen. The lawyer turns to the judges and begins to plead his client's case: she is incompatible with her husband and wants a divorce.

The scene moves between the three judges, the lawyer, and the woman's husband as they argue this woman's fate, but the camera avoids Viviane as strangers argue over her. When at last the camera cuts to Viviane, (writer/co-director Ronit Elkabetz channeling AFI Fest honoree Sophia Loren's intensity) she seeths in her chair, muted by convention and law. She glances quickly at the camera, and her brief eye contact burns with unvoiced frustration. Considering that her divorce will take almost half a decade to achieve, the frustration will only get more bitter and volcatnic.

As David pointed out, Ronit and her brother/co-director Shlomi have made a social justice film about the absurdities of Israel's archaic, religion-based family law. However, Gett also becomes a study on the harder-to-read nuances of a relationship - Are Viviane and her husband incompaible or abusive? Is he controlling or too lenient? The deceptively simple conceit of trapping the action in the stark courtroom visually emphasizes Viviane's frustration, and allows the motives of everyone who speaks - from Vivianne's hilarious family to her sadly submissive neighbor to her husband and herself. Ronit and Shlomi Elkabetz have created a film that works on every level as social commentary, and absurdist comedy, and character study.

Second Take Grade: A-
Oscar Chances: Though it is Israel's official submission, chances are low. The first two films in Elkabetz's trilogy, To Take A Wife (2004) and 7 Days (2008), were both overlooked by the Academy. At AFI Fest, Gett is currently being overshadowed by star-studded films like Two Days, One Night and buzz -generators Timbuktu and The Tribe. Though audiences that see it are speaking highly of it, Gett's may not have the momentum to land a nomination.