Flawless, which is called "The Prom" at home stars Stav Strashko (the one behind the wheel) who is a trans actress
The Ophir nominations were recently announced in Israel and we thought we'd share their Best Picture nominees. The winner of the Ophir -- which will be announced September 6th -- is almost always submitted for the Oscar's Foreign Language Film category. There are two LGBTQ films in the mix this year. Thanks to our loyal Israeli reader Yonatan for alerting us to the nominees. They're after the jump along with some stats about Israel's history with the Oscars and in US arthouse movie theaters...
Terrible news to report today. The great Israeli actress Ronit Elkabetz has passed away at only 51 years of age.
Her last film proved to be her biggest hit (Gett: The Trial of Viviane Absalem) -- we interviewed her right here -- but that courtroom drama was far from her only gem. We first fell (and fell hard) for the intense raven haired beauty in the astounding Late Marriage (2001) where she played the older woman in a sexually intense love affair with a slightly younger man (Lior Ashkenazi) whose parents were eager to marry him off to a "proper" bride and end his long-standing bachelordom. She won the Ophir (Israel's Academy Award) for that film, one of three wins for her as Best Actress.
If you've never seen "Late Marriage," you really must.She also starred in Or (My Treasure) (2004), the international hit The Band's Visit (2007), and other films in both France and Israel. In the past ten years she'd branched out from acting and with Gett she was directing and writing (along with her brother Shlomi), while continuing to dazzle in front of the camera. Awards groups took notice. She won prizes at the Hamptons, Chicago, Palm Springs, San Sebastian and Jerusalem film festivals for Gett and that last feature also resulted in multiple Ophir nods and a Golden Globe nomination for Best Foreign Film.
Elkabetz was battling cancer and is survived by her husband and three year old twins. She will most definitely be missed, her rich expanding career cut suddenly short.
Variety several distributors want the Sally Field vehicle Hello My Name is Doris, an indie hit at SXSW. But neither of the big Oscar dogs want it (no interest from Weinsteins or Fox Searchlight. Hmmm) Teenage Bedrooms on Screen a tumblr celebrating movie sets from teen films. I thought this was appropriate to share after... TFE a discussion of interesting / fun film sets Variety our favorite Israeli actress Ronit Elkabetz will serve as president of Cannes' "Critics Week" the festival's sidebar focused on newer filmmakers (That's often where the best movies are anyway!) My New Plaid Pants on a current rumor about the "toxic" set of Alejandro González Iñárritu's The Revenant
Vanity Fair looks back at Pretty Woman for its 25th, specifically it's originally much darker screenplay TFE in case you missed it Manuel also looked back on the nation's (and his) 25 year old Julia Roberts obsession Daily Mail Lauren Bacall's estate auctioning off collections. Her Manhattan partment is also for sale for (gulp) $26 million The Guardian match the evil quote to the Disney villain - I got a few of these wrong. The Shame! CHUD Marvel has reportedly cast Carol Danvers (aka Captain Marvel) already and she might even be added to The Avengers: Age of Ultron. WTH... how many actors can be in that one movie and shouldn't they have finished it already given that it opens in a month? Film School Rejects Anthony Russo & Joe Russo, who did such a great job on Captain America: Winter Soldier have been adopted by Marvel and will now direct all of their movies (not really but they're locked up for awhile)
The Film Stage a one hour conversation with Jessica Chastain The Playlist Viggo Mortensen turned down Hateful Eight? Sad. He'd be great in a Tarantino and could use a hit In Contention Sandy Powell talks Cinderella costumes ET Online and speaking of costumes, Billy Magnussen talks about his unmissably tight leather pants in Into the Woods
Today's Watch
Tom Hanks reenacts his filmography's greatest hits in seven minutes with James Corden. Hanks seems to be having a lot of fun with himself lately, right?
Small Screen Coming SoonThe X-Files stars David Duchovny and Gillian Anderson are returning to their iconic roles for a miniseries. The original series lasted 9 years and was revived in two feature films so it's had quite a shelf-life. Variety I find BAFTA so confusing. They have so many different awards branches and different announcement times. But the TV craft nominations are out with Penny Dreadful doing well Ryan Murphy Chloe Sevigny returning to American Horror Story next season. She was a pleasant surprise for me on Netflix's Bloodline. I forget sometimes how totally watchable she is Towleroad rumors circulating that HBO is cancelling Looking albeit with a wrap up film *sniffle* Salon Jon Hamm just out of rehab for alcohol addiction. With Mad Men wrapped hopefully he won't be reminded of the glass in hand for a while. Best wishes!
2. This doesn't have a movie connection apart from a well earned dig at that awful Flawless movie starring Philip Seymour Hoffman but The New York Times has an essay on the feminist evolution of the word "flawless" that is really something. A great read.
3. David Poland has said these things before and will say them again. And we've also harped on his underlying theme / advice to the Academy - 'Embrace the fact that you're THE movie institution. be proud, not worried.' But it's always worth repeating and he does a great job in "48 Weeks to Oscar: Academy in Crisis (?)" at highlighting all the problems... which don't have to be problems! Read it (if you've ever bitched about or defended the Oscars). Live it (if you're AMPAS). Love it (if you love the Oscars).
Jose here. In Gett: The Trial of Viviane Amsalem, Israeli goddess Ronit Elkabetz returns to play a part she’s lived with for more than a decade. In 2004, Ronit and her brother Shlomi teamed up as writers and co-directors of a film trilogy that would concentrate on the experiences of a woman as seen through the roles society imposed on her. In the first installment, To Take a Wife, Viviane must deal with being trapped in a loveless marriage to her husband Elisha (Simon Abkarian), in 7 Days, Viviane must sit Shiva and come to terms with the fact that she is obligated to mourn despite not feeling pain. In Gett, which opened this weekend on the heels of its Golden Globe Foreign Film nomination (Oscar passed it by), Viviane is trying to gain her freedom from Elisha, but finds that practically impossible given that her husband hasn’t committed any “sins” against her; her request is deemed invalid by the strict rabbinical court.
In the years since her breakthrough in Late Marriage (2001), also an Israeli Oscar submission, and the first Viviane installment, Ronit has become the face of Israeli cinema having delivered brilliant performances in films like The Band’s Visit and Or. Gettalso reveals her growth behind the camera with a much more sophisticated directorial technique, as she and Shlomi tell the story from a very subjective point of view. With their use of the camera and precise shots, they allow Viviane to have the freedom of thought society continues to deny her. A perfectly cast ensemble makes the film a worthy spiritual companion to A Separation and Zodiac, in a way, as they all explore the frustration that comes along with endless, inefficient bureaucratic processes.
During their recent visit to New York City, I talked to Ronit and Shlomi about their collaborations, their unique use of cinematic language and how Gett has rightfully become a sociopolitical sensation in Israel.
Anne Marie here with a followup to David's review on Israel's Oscar submission. Gett: The Trial of Viviane Amsalem opens with a lawyer staring at his client sitting just offscreen. The lawyer turns to the judges and begins to plead his client's case: she is incompatible with her husband and wants a divorce.
The scene moves between the three judges, the lawyer, and the woman's husband as they argue this woman's fate, but the camera avoids Viviane as strangers argue over her. When at last the camera cuts to Viviane, (writer/co-director Ronit Elkabetz channeling AFI Fest honoree Sophia Loren's intensity) she seeths in her chair, muted by convention and law. She glances quickly at the camera, and her brief eye contact burns with unvoiced frustration. Considering that her divorce will take almost half a decade to achieve, the frustration will only get more bitter and volcatnic.
As David pointed out, Ronit and her brother/co-director Shlomi have made a social justice film about the absurdities of Israel's archaic, religion-based family law. However, Gett also becomes a study on the harder-to-read nuances of a relationship - Are Viviane and her husband incompaible or abusive? Is he controlling or too lenient? The deceptively simple conceit of trapping the action in the stark courtroom visually emphasizes Viviane's frustration, and allows the motives of everyone who speaks - from Vivianne's hilarious family to her sadly submissive neighbor to her husband and herself. Ronit and Shlomi Elkabetz have created a film that works on every level as social commentary, and absurdist comedy, and character study.
Second Take Grade: A- Oscar Chances:Though it is Israel's official submission, chances are low. The first two films in Elkabetz's trilogy, To Take A Wife (2004) and 7 Days (2008), were both overlooked by the Academy. At AFI Fest, Gett is currently being overshadowed by star-studded films like Two Days, One Night and buzz -generators Timbuktu and The Tribe. Though audiences that see it are speaking highly of it, Gett's may not have the momentum to land a nomination.
Tuesday, June 26, 2018 at 5:00PM 
Flawless, which is called "The Prom" at home stars Stav Strashko (the one behind the wheel) who is a trans actress
