Happy Birthday Herzog

by Jason Adams

Film director Werner Herzog is marking three quarters of a century on this planet today - a planet that he has probably explored the weirdness hidden away at every single obscure corner of. We should cherish him while we have him, people - even if some of his more recent efforts have been iffier than most. Go see every damn one, reviews be damned.

Funnily enough last night I was reading a review of the Twin Peaks finale (no spoilers here, don't worry!) that called that series mastermind David Lynch "American pop culture's answer to Werner Herzog," and I got to thinking about these two directors in relation to each other. Besides Herzog and Lynch easily making my list of Top Five Greatest Living Film-makers I don't usually think about them in relation to each other, but it's not an invalid point.

So here, for Werner's birthday, let's latch him onto the zeitgeist's momentarily hottest art-house auteur, and list three similarities, with one glaring dissimilarity...

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Take Three: Grace Zabriskie

 Craig here with this week's Take Three. Today: Grace Zabriskie

It was Grace Zabriskie’s 71^st birthday last week. She’s achieved a lot in her vast career over the 34 years she’s been acting: she had a daughter with oversized thumbs (Even Cowgirls Get the Blues); paid River Phoenix for sex (My Own Private Idaho); been killed by Chuckie (Child’s Play 2); ran on a brothel  (The Brothel); evangelized about vampires (Blood Ties); had a asteroid named after her (Armageddon); performed a voodoo sex-killing (Wild at Heart); fought for worker’s rights (Norma Rae); navigated b-movie space horrors (Galaxy of Terror); and turned mourning into a mad maternal art (Twin Peaks). And that's just ten of her 93+ screen roles.

Here are three performances that I feel deserve highlighting.

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