Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Hail Caesar (18)

Wednesday
Dec212016

The Great "Make-Up and Hairstyling" Bake-Off of 2016

We just wanted the blog post title to sound fancy. Who knows if the screening/meeting/deliberation at the Academy was anything like a superlative adventure this year? But let it suffice to say that they narrowed down some unknown number of films (why no semi-finals list, AMPAS?) to seven films which will compete for the 3 Oscar nominations in Best Makeup and Hairstyling.

Those films, with photos to jog your memories, are after the jump with some commentaries about their specific follicular and beautifying achievements...

Click to read more ...

Tuesday
Nov222016

Lynn Gives Thanks

Let’s face it: this is a difficult year for many of us to be thankful – at least if we’re focusing on the news (and how could we not?).  2016 has taken so much and so many from the world, it’s hard not to greet Thanksgiving with the kind of benediction Wendy (Christina Ricci) delivered in The Ice Storm...

Click to read more ...

Friday
Jul082016

Halfway Mark: Best Actressing of 2016 (Thus Far)

Previously at the Halfway Mark
• 5 Favorite Pictures and imaginary Oscar scenario
• 11 Costume Design Honors from couture to the puritanical with swimwear on the side
• Cinematography & Production Design Sunset Song, etc...
• Heroes & Villains from Deadpool to Shere Khan
• 23 Male Actor Honorees in 5 categories

Cue fireworks. It's the grand finale. Our brief Halfway Mark Review honoring the best of the 50+ movies we've seen that have been released between January 1st and June 30th, is now at its end. But don't worry. The listing impulse fully never goes away and there's more excitement soon as we'll start updating the Oscar charts tomorrow. Naturally we're ending with BEST ACTRESS if five categories -- the same categories we previously did for the men.

If I had a ballot (hey, I do... albeit not an AMPAS ballot) here's what I'd honor from the year thus far -- January through June releases only though I've seen some July & August titles. [Disclaimer: The most noticeably actress-led film I haven't yet seen this year is The Meddler so please dont read anything into the absence of Susan Sarandon.]

Best Actress in a Leading Role

  • Sally Field as "Doris" in Hello My Name is Doris
    Doris is a CHARACTER but Sally never fails to humanize her written eccentricities making sure that she's the endearing source of the laughter rather than its target.  
  • Tilda Swinton as "Marianne Lane" in A Bigger Splash
    The "vocal rest" was her idea -- imagine an actor purposefully losing all their lines! -- and the result is you see Tilda's face and body alone capturing and reflecting the drama and auteurist impulses
  • Anya Taylor-Joy as "Thomasin" in The VVitch
    That angelic face is sensually attentive and her behavior innocent but mischievious. So many possible Masters (God, Lucifer, Herself, General Teen Hormones, and Restlessness)
  • Rachel Weisz as "Short Sighted Woman" The Lobster
    What a tricky tone to master, but she's in control. Her voiceover is beautifully at odds with her meekly submissive than overtly romantic screen self
  • Mary Elizabeth Winstead as "Michelle" in 10 Cloverfield Lane
    Sells shifting (dis)belief in this strange new reality while doing right by primal horror. Nails the only real in-script details about this character -- whip-smart instincts and a "Flight or Flight" response

Choices in 4 more categories after the jump...

Click to read more ...

Tuesday
Jul052016

Halfway Mark: Achievements in Costume Design

We've celebrated the male performances, the heroes and villains, cinematography & production design. So let's hit Nathaniel's (c'est moi) favorite craft category costume design, as we wrap up our halfway mark festivities this week (actresses still to come). Who would I choose and who might Oscar choose if the year had ended June 30th? 

HALFWAY MARK BEAUTY BREAK ~ BEST COSTUME DESIGN
(January to June theatrical releases only) 

Achievements in Overall Costume Design
If I were drawing up my year end ballot right now (January to June releases) I'd pick these five films though there will inevitably be strong competition to come -- will any of them be nominated at year's end?

The Neon Demon, Erin Benach
While Benach doesn't manage anything as iconic as her scorpion jacket for Drive, few films do so you can't hold that against this film. Between the dichotomous looks of the innocent ingenue (half sexual / half innocuous flowing girlie dresses) to the rigid couture of her rivals, there's lots of texture and color and editorial looks to consider.

Sing Street, Tiziana Corvisieri
Corvisieri pulls from a surprisingly wide range of styles in this film to trace the DIY looks of "Sing Street," the band within the film, and how their music video style translates into their schoolboy uniforms. Great fun on a costume level but always believably low-budget and "thrown together" (though they were surely well planned by Corviseri)

9 more honored costume designers after the jump...

Click to read more ...

Friday
Jul012016

Halfway Mark: Cinematography & Production Design

We've celebrated the male performances and the heroes and villains of the year's first half. But before we get to the actresses -- what? foreplay makes it hotter -- let's revel in the beauty of Cinematography & Production Design. These five choices in each category are what yours truly, Nathaniel, would nominate if the year ended on June 30th. Please share your list of praiseworthy achievements in the comments. Movies are communal and loving them should be, too.

HALFWAY MARK BEAUTY BREAK
CINEMATOGRAPHY & PRODUCTION DESIGN
(January to June theatrical releases only. Disclaimer: I have not yet seen The Mermaid which I hear is an eyeful) 

Best Cinematography
If I had a ballot right now (January to June releases only...) 

A Bigger Splash, Yorick Le Saux
From gold dust sunshine to postcard istas, from the ambient light of off white seaside architecture to intimate dinners by candlelight, Le Saux is always caressing the already sensual actors with light.


 

Embrace of the Serpent, David Gallego
In glorious black and white but for hallucinogenic sequences, the sharp contrast photography does wonders to make this already foreign world look ever more forgotten and alien. And there's something about that inky water that makes the whole picture more suspenseful in its rowing languours.

8 more honorees after the jump...

Click to read more ...