Everybody Wants Some Podcasting !!

Nathaniel, Nick, and Joe kick off a whole new season of the podcast by hitting the road with Michael Shannon and family in Midnight Special and going back to college with Richard Linklater's baseball boys in Everybody Wants Some!! We believe its our 8th season, so we'll just go with that.

42:30 minutes 
00:01 The Crucible Broadway & Film
02:12 The Slumdog Oscar Year
05:00 Everybody Wants Some!! delightful & sexy
15:00 Pro & Con on Midnight Special
32:00 Hello My Name is Doris,  Zootopia
40:30 Favorite Prince songs

You can listen to the podcast here at the bottom of the post or download from iTunes. Please continue the conversation in the comments. Did you "want some!!" and where do you fall in the all-over-the-place reactions to Midnight Special.

Everybody Wants Season Debut

My Big Fat Superhero Wedding Sequel

Batman v Superman + a little Wonder Woman dominated the weekend with a critic proof opening record for March. The test will be how well it can hold with terrible reviews and lackluster word of mouth. It's unlikely to have the staying power of something like Deadpool for example, which is still in the top ten 7 weeks after its debut. On the other hand it has free reign for a while with no direct competition coming for one entire month. Captain America Civil War arrives on April 8th. The question is this: Will Marvel's superheroes vs superheroes blockbuster be hurt by people feeling all "bleh" about Batman v Superman? Casual moviegoers rarely know the difference between studios and filmmakers and general history of quality, you know.

Meanwhile something girlier: Sally Field's little film is doing great with older moviegoers and enters the top ten in its 3rd week despite being on less than 500 screens. And finally, despite her phenomenally successful My Big Fat Greek Wedding being an ancient memory in pop culture years, Nia Vardalos's sequel did pretty well with a solid third place debut.  She tweeted out this celebratory opening weekend photo

We've never had a billboard.

What did you see this weekend?

TFE is very pleased to notice that Embrace of the Serpent, Colombia's Oscar nominated Amazon journey (which we've been raving about for months) is about to hit a million in the arthouses if it can hold its theaters for one more week. That's pretty good for such a weird black and white movie that didn't really get going until it had already lost the Oscar! 

TOP TEN
01 Batman v Superman $170.1 NEW Review
02 Zootopia $23.1 (cum. $240.5)  
03 My Big Fat Greek Wedding 2 $18.1 NEW
04 Miracles from Heaven $9.5  (cum. $34.1)
05 The Divergent Series: Allegiant $9.5 (cum. $46.6)
06 10 Cloverfield Lane $6 (cum. $56)
07 Deadpool $5 (cum. $349.4)  Reviewish
08 London Has Fallen $2.9 (cum. $55.6) 
09 Hello My Name is Doris $1.7  (cum. $3.2) Review 
10 Eye in the Sky $1.0 (cum. $1.7) 

RANDOM LIMITED RELEASES - JUST CHECKING IN
Embrace of the Serpent $.1 (cum. $.9) 73 screens Review, Interview
Knight of Cups $.06 ($.4) 68 screens Reviewish
I Saw the Light $.05 five screens NEW Review
Krisha $.03 (cum. $.05) 22 screens Review
April and the Extraordinary World $.01 one screen NEW 

Lake Bell Returns To Her Director's Chair To Ask What's The Point?

After securing the 2013 Sundance Film Festival’s Screenwriting award, a slot on the National Board of Review’s top ten list of indie films, and the vocal support of critical heavy hitters like A.O. Scott, Lake Bell’s pitch-perfectly precise comedy In A World… announced itself as one of the more confident debut features in recent memory, let alone from an actor-turned- director/writer. If you haven’t seen this film about voiceover artists in Los Angeles, it expertly defines the multidimensional barriers to success that women face any time they wish to advance upward – and it’s the movie where Tig Notaro met her wife.

This week Bell announced her follow-up feature What’s the Point?, continuing her series of personal, sharp social commentaries with titles that end in grammatical whodunits. According to Deadline, What’s the Point? poses the additional question of whether marriage should be a seven-year contract with negotiable renewals – which, if you’ve listened to her episode of WTF, you know she has no shortage of smart answers when it comes to the topic of married life. Bell will again attack the issue from three angles - as director, writer, and star - and Ed Helms will anchor the other half of the onscreen couple.

While we patiently wait for the film, here are a few suggestions to pass the time:

• Make sure to check out her wise deadpan playing dumb on Netflix’s Wet Hot American Summer: First Day of Camp. In this series and others, Bell’s witty ability to crack open nuts without ever showing her hand often recalls some of Madeline Kahn’s most blistering, hysterical work.
• Watch every episode of Children’s Hospital and then re-watch In A World… and then count up all the actors who appear in both.
• Support other TV actors-turned-directors with your ticket dollars. This year we’ll see Clea DuVall’s debut The Intervention – which won Melanie Lynskey an acting award at this year’s Sundance – as well as Jason Bateman’s follow-up to Bad Words, The Family Fang starring Bateman, Nicole Kidman, and Christopher Walken. And right now you can see her Wet Hot sorta-love interest Michael Showalter’s full-on Sally Field crushfest, Hello My Name Is Doris (Nathaniel’s review).

Have you caught up yet with In A World… and does the promise of another Lake Bell joint sound like your thing?

What did you see this weekend?

Moviegoers are officially tired of The Divergent Series as its third installment was off 44% from the previous film. And they've still got one film to go! Studios will soon (hopefully) realize that not every book adaptation deserves multiple movies. Damn you Hunger Games & Hobbit & everything else that encouraged this awful trend of greed over storytelling purity; plodding along when you should set hearts racing is an anti-audience move. Zootopia and Deadpool continue to be huge hits. In fun news, Sally Field's vehicle Hello My Name is Doris got within a ferry ride's distance of the top ten with a million dollar weekend even though it's only on 128 screens. Well done, Sally! 

WIDE RELEASES
01 Zootopia $38 (cum. $201.8)
02 The Divergent Series: Allegiant $29  NEW 
03 Miracles From Heaven $15  NEW 
04 10 Cloverfield Lane $12.5  (cum. $45.1)
05 Deadpool $8 (cum. $340.9) Reviewish

LIMITED RELEASES
less than 800 screens excluding previously wide
01 Hello My Name is Doris $1 (cum. $1.1) 128 screens Review 
02 Kapoor & Sons - Since 1921 $.9 NEW 143 screens
03 Anomalisa $.7 (cum. $3.4) 573 screens
04 The Lady in the Van $.4 (cum. $8.7) 301 screens Review
05 The Other Side of the Door $.1 (cum. $2.7) 227 screens 

OTHER PICTURES
The Bronze, a foul mouthed comedy about Olympic medalists, waited over a year past its buzzy Sundance launch to arrive in theaters and did so (on over 1000 screens) with almost no promotion. I didn't even realize it was opening until I was looking up movie times for something else and I pay attention to release dates. The result was an absolutely bleak $361 per screen average, which is bound to be the worst of the year for a wide release.  

In extremely limited release Midnight Special opened at 5 locations with a strong $184,000 which bodes well for its future. Arnaud Desplechin's My Golden Days (interviewed) earned $27,000 on 3 screens, Argentina's Oscar submission from 2015 El Clan (Nathaniel's review) finally opened to $12,500 on 3 screens and Krisha (Daniel's review) opened to $10,250 on 2 screens.

What did you see this weekend?

Review: Hello, My Name is Doris

This review was originally published in Nathaniel's column at Towleroad

In a perfect world we would always have room for our Best Actresses as they age but in the world we actually live in only British Dames and Meryl Streep are allowed to do that. And Tilda Swinton but she lives inside her own space and time continuum. The expiration date on female movie stars — their “last f***able day” (thank you Amy Schumer) — before they disappear into thankless supporting roles used to be 40 and now it’s thankfully extended until about 50. But at some point in most star careers the lead roles all too abruptly stop.

That’s why it was a joy last summer to see Lily Tomlin ace a rare film-carrying job in Grandma and why it’s nice to have a spiritual sequel just months later in Hello My Name is Doris. The two films are nothing alike but for their creative foundation

They’re both star vehicles for a senior citizen legend carefully crafted entirely around her specific gifts. Which is to say that with Grandma we got an acerbic feminist politically savvy LGBT comedy and with Hello My Name is Doris we get a cutesy boy-crazy romantic dramedy because Lily Tomlin and Sally Field are very different performers. [more...]

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