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Entries in Hereditary (18)

Monday
Jan142019

Interview: Toni Colette on horror, grief, and her prismatic performances

by Nathaniel R

Toni Collette gives one of the year's great performances staring into the abyss of her own life in "Hereditary"Toni Collette doesn't like horror movies. We relate but there are exceptions: horror films starring Toni Collette are events. Her resistance to the genre,  she refers to both of her biggest horror hits as "classic dramas", may be the strange key to why she's so superb in them, grounding them in emotional truths while simultaneously having the kind of stylistic range as an actor that can lift right off with them into otherworldly places. 

We recently sat down after an encore screening and lively Q&A of Hereditary. Her sole Oscar nomination came early in her career as the grieving mother of little Haley Joel Osment in The Sixth Sense (1999) and in a way, twenty years later, she's bookended that great early success with another very different grieving mother. This one's much harder to love but the performance is even better. Even if you don't love horror movies, it's impossible to miss the fact that her Annie, a self-indulgent artist and resentful mother, is a tour de force performance from an actress at the top of her game. Annie's life is traumas stacking up on traumas but Toni's performance keeps stacking brilliance upon brilliance.

Though she's played her share of narcissists or flighty women, the actress herself comes across as generous and grounded, thrilled by the collaboration of filmmaking. She rolls her eyes about herself and other actors if anyone gets too precious or self-involved about the craft. Though she loves acting dearly, she hilariously refers to it as her "day job" as we're making small talk before the interview.

In a rare turnabout, as we sat down, Toni asked the first question. So we'll begin right there....

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Thursday
Jan032019

Blueprints: Five Expertly Written Scenes of 2018

by Jorge Molina

A screenplay has to accomplish many things to be successful: establish the characters, create and maintain tension, introduce the plotlines and carry them smoothly and compellingly, grasp the audience’s attention and hold it for two plus hours. A good script does it all. A great script makes it all look easy and seamless.

We previously sang the praises of 5 original screenplays and 5 adaptations. This week, we're getting more specific with 5 scenes. While each of the following stories were successfully told overall as one cohesive movie, their writing stood out for making a particular element of screenwriting shine; each unique to the story they were trying to tell.

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Friday
Dec282018

Our Favorite Line Readings of 2018

Every day a new Year in Review round-up as we joyfully bid 2018 adieu...

For today's entry we asked Team Experience and a few of our friends to share their favorite line reading of the year. No one was assigned anything so these are direct from our faces to your faces. Yes, Toni Collette's towering work in Hereditary is on our minds lately. Remember that gem? 

And all I get back is that fucking face on your face."

Or these:

I am your MOTHER." 

I did everything they told me not to do, but it didn't work. I'm happy it didn't work.

So, that was my mom’s life.

God she's extraordinary in that new horror classic, isn't she?

Okay, ready for more actorly gems as actors elevating specific lines or sometimes whole films. Here we go...

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Wednesday
Dec052018

Toni Collette is a high-wire artist. Also loves "Roma"

by Nathaniel R

The Film Experience had the pleasure of a lengthy one-on-one chat with the inimitable Toni Collette yesterday after a screening and reception for her new horror classic Hereditary. We'll publish the whole interview in a few days but we thought we'd share a tidbit she thoughtfully e-mailed afterwards. You see during our chat, we had mentioned that they (the proverbial they) always say that actors are an insecure lot but this couldn't possibly be true of her. Wouldn't you have to be supremely confident about your gifts to attack high-wire material like Hereditary or the new miniseries Wanderlust? If you stop to think about it both of those provocative projects, one about multi-generational family trauma and the other about long-term intimacy and sexuality, essentially live or die based on the complexity of the central performance. 

Our conversation took a detour after that so she sent us this note...

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Tuesday
Dec042018

Prime in December: Mrs Maisel, Hereditary, and All the President's Men

Time to play Streaming Roulette. Each month, to survey new streaming titles we freeze frame the films at random places. Whatever comes up first, that's what we share -- no cheating.  What does Amazon Prime offer us this month? Let's survey...

[Librarian voice on line] Mr Bernstein, I was wrong. The truth is I don't have a card that says Mr Hunt took any material. I don't remember getting -- I do remember getting material from someone but it wasn't Mr. Hunt. The truth is I didn't have any requests at all from Mr. Hunt. The truth is I don't know any Mr. Hunt. [CLICK]

All the President's Men (1976)
Winner of four Oscars including Best Screenplay for William Goldman (who we were just discussing). The best picture line up of 1976 is so delicious, isn't it? All the Presiden't Men, Bound for Glory, Network, Rocky, Taxi Driver. I mean most Best Picture lineups wish! 

-Moldy mildew mother of mouth-muck, dangle and strangle to death!
-Oh how rude!

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