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Entries in Hereditary (17)

Saturday
May292021

One and Done? Toni Collette

by Matt St Clair

Cate Blanchett, Nicole Kidman, Russell Crowe. Those are just a few of the grand talents from Australia to grace the big screen. Then there’s someone who doesn’t have the same kind of Oscar record as those A listers: the painfully unsung Toni Collette who, despite having an eclectic fascinating career with roles that range in size, genre, accent, etcetera, in many noteworthy films, somehow only has one Oscar nomination under her belt. 

The Nomination

Her sole bid (thus far) came in 1999 when she was nominated in Best Supporting Actress for her role as Lynn Sear, a working-class mother whose child can see ghosts in The Sixth Sense...

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Friday
Feb222019

Film Bitch Awards: Heroes, Villains, and Divas of the Year

It's a mad race to get everything done by the Oscars. Three more categories have been announced in our own extensive annual awards: Hero the Year, Diva of the Year, and Villain of the Year. Black Panther dominates these categories, being nominated in each one of them, but you'll also see honors for Paddington 2, A Simple Favor, Mary Poppins Returns, Hereditary, The Favourite, Aquaman, Oceans 8, and more. Check it out.

Monday
Jan282019

Team Experience Awards 2018: Our Favourites

by staff

We couldn't let the Oscar season go without our team of writers giving you our 7th annual Team Experience Awards (Nathaniel doesn't vote on these but his Film Bitch Awards will resume in a couple of days). We've given ourselves some time to catch up to 2018's offerings and as a result we have some fun surprises in store for our ballot! This year our Best Film goes to Yorgos Lanthimos' The Favourite, one of the six prizes we've given it of thirteen total nominations. Next behind is Barry Jenkins' If Beale Street Could Talk with nine mentions, and then the love is spread pretty wide elsewhere with Roma, Hereditary, BlacKkKlansman, and Can You Ever Forgive Me? doing well among nominations.

Best Picture

  1. The Favourite
  2. If Beale Street Could Talk
  3. Roma
  4. Can You Ever Forgive Me?
  5. Hereditary
  6. BlacKkKlansman
  7. Widows
  8. Annihilation
  9. First Man
  10. We the Animals

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Wednesday
Jan232019

One Last Hurrah for the Unloved! (Our Post-Nomination Eulogies) 

by staff

We asked Team Experience to share eulogies & tributes to their most beloved cinematic achievement that was left out on Oscar nom morning. Not everything can be nominated. Since we must now turn our attention to the actual nominations, please shed one last tear of appreciation for these great artists and films.

BEN MILLER: Leave No Trace - you were too beautiful and non-assuming to be truly embraced by an awards body like the Academy.  Yes, Winter's Bone got a Best Picture nomination for Debra Granik's 2010 film, but you were rated PG and there was not a cliche, line of exposition, or bit of over-acting to be found.  You are too perfect a creation to be lumped in with the Oscars.  We will remember you when Ben Foster, Thomasin McKenzie and Granik eventually accept their future statues.

NATHANIEL R: Eighth Grade, you were too lovely and far far too young. Too humiliatingly real, too emotionally fragile and too comically pure for the heightened spectacle of Hollywood's back-patting event. You gave us hope for the future (Elsie Fisher and Bo Burnham have bright ones) while also transporting us back to our own childhood. You were a time machine even H.G. Wells would have marvelled at and cringed through... provided, of course, that he attended the British equivalent of junior high in the 19th century...

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Monday
Jan142019

Interview: Toni Colette on horror, grief, and her prismatic performances

by Nathaniel R

Toni Collette gives one of the year's great performances staring into the abyss of her own life in "Hereditary"Toni Collette doesn't like horror movies. We relate but there are exceptions: horror films starring Toni Collette are events. Her resistance to the genre,  she refers to both of her biggest horror hits as "classic dramas", may be the strange key to why she's so superb in them, grounding them in emotional truths while simultaneously having the kind of stylistic range as an actor that can lift right off with them into otherworldly places. 

We recently sat down after an encore screening and lively Q&A of Hereditary. Her sole Oscar nomination came early in her career as the grieving mother of little Haley Joel Osment in The Sixth Sense (1999) and in a way, twenty years later, she's bookended that great early success with another very different grieving mother. This one's much harder to love but the performance is even better. Even if you don't love horror movies, it's impossible to miss the fact that her Annie, a self-indulgent artist and resentful mother, is a tour de force performance from an actress at the top of her game. Annie's life is traumas stacking up on traumas but Toni's performance keeps stacking brilliance upon brilliance.

Though she's played her share of narcissists or flighty women, the actress herself comes across as generous and grounded, thrilled by the collaboration of filmmaking. She rolls her eyes about herself and other actors if anyone gets too precious or self-involved about the craft. Though she loves acting dearly, she hilariously refers to it as her "day job" as we're making small talk before the interview.

In a rare turnabout, as we sat down, Toni asked the first question. So we'll begin right there....

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