The wonderful world of Adam Stockhausen

by Cláudio Alves

Over the past decade, Adam Stockhausen has become one of Hollywood's most formidable production designers. Working his way up as an art director, the first movies he got to design weren't the most prestigious fair. Indeed, Wes Craven's late-career horrors didn't give him much opportunity to show off. That all changed when Wes Anderson, Steve McQueen, and Steven Spielberg all started to go to him as their preferred designer, relying on Stockhausen to create whole worlds from scratch, whether within a realistic milieu or total fantasy. Back in 2014, Grand Budapest Hotel earned him an Oscar, and Stockhausen is back on the hunt for more gold. Wes Anderson's The French Dispatch just arrived in American theaters, and the new West Side Story is on the horizon. Could he even nab an elusive double nomination?

Here are some highlights from Adam Stockhausen's filmography as production designer, from Anderson's whimsy to Spielberg's glitz…

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Almost There: Viola Davis in "Widows"

by Cláudio Alves

Last week, Nick Taylor wrote a beautiful piece about the early days of Viola Davis' screen career, specifically her tryptic of stellar supporting performances in 2002. The article highlights the actress's formidable talent for creating full characterizations with minimal screen time, how she conjures rich humanity from people on the margins of the story, imbuing every glance and spoken word with mountains of meaning. After reading that, I felt compelled to revisit some of the actress's best works and, here we are, exploring the only time Viola Davis was legitimately in contention for an Oscar nomination and missed. Coincidently, it's also my favorite performance of hers in what is probably the best film she's ever been in - Widows…

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One Last Hurrah for the Unloved! (Our Post-Nomination Eulogies)

by staff

We asked Team Experience to share eulogies & tributes to their most beloved cinematic achievement that was left out on Oscar nom morning. Not everything can be nominated. Since we must now turn our attention to the actual nominations, please shed one last tear of appreciation for these great artists and films.

BEN MILLER: Leave No Trace - you were too beautiful and non-assuming to be truly embraced by an awards body like the Academy.  Yes, Winter's Bone got a Best Picture nomination for Debra Granik's 2010 film, but you were rated PG and there was not a cliche, line of exposition, or bit of over-acting to be found.  You are too perfect a creation to be lumped in with the Oscars.  We will remember you when Ben Foster, Thomasin McKenzie and Granik eventually accept their future statues.

NATHANIEL R: Eighth Grade, you were too lovely and far far too young. Too humiliatingly real, too emotionally fragile and too comically pure for the heightened spectacle of Hollywood's back-patting event. You gave us hope for the future (Elsie Fisher and Bo Burnham have bright ones) while also transporting us back to our own childhood. You were a time machine even H.G. Wells would have marvelled at and cringed through... provided, of course, that he attended the British equivalent of junior high in the 19th century...

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Why is "Vice" rising? Why are "First Man" and "Widows" struggling with awards bodies?

Before we get to the final "happy thoughts" Team Experience Globe Reaction finale, I thought I'd ask our contributors and friends of the site questions about the Golden Globe  fates of Vice (nomination leader), First Man (2 nominations, Score and Supporting Actress), and Widows (entirely shut out). It's easy to theorize about what's happening with all three of those movies, and theorizing is fun. So let's begin:

1. Why do you think Vice led the nominations?

DEBORAH LIPP: Hating Dick Cheney is a cathartic substitute for hating Donald Trump. I support this. 

GUY LODGE (VARIETY):  Because it's the newest thing out and, crucially, because it hasn't been reviewed yet -- its on-paper prestige is still undented...

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Team Experience on Globe Snubs, Strange Honors, and Best Director Nominees

As is our habit we polled Team Film Experience and web friends on the Golden Globe nominations. This will come in two parts but we'll start with a cleanse by shaking off the bad feelings. We must bid a fond fist-shaking farewell to our favorites that the Globes shunned and reveal the nominations that confuse us.

We think you'll also enjoy the part where we choose which Best Director would best dramatize our moods while watching the nominations. Ready? Here goes...

1. Which omission most galls you?

MURTADA: Widows. Viola Davis for Widows. Elizabeth Debicki for Widows. Steve McQueen for Widows. It had many opportunities to get mentioned and zilch.

JASON ADAMS: Toni Collette and Carey Mulligan, the drinks are on me. [MORE AFTER THE JUMP...] 

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