Almost There: Paul Bettany in "Master & Commander: The Far Side of the World"

by Cláudio Alves

Paul Bettany's one of those actors who feels like an Oscar nominee despite having never received love from the Academy. Since the late 90s, the British thespian has starred in various awards-friendly titles, including a Best Picture winner, and is regularly praised by critics even when his projects disappoint. Nonetheless, AMPAS always ignores him. His best shot came in 2003 when his supporting turn in Peter Weir's Master & Commander: The Far Side of the World earned him some well-deserved buzz. Since the actor just celebrated his 50th birthday, I chose to celebrate the occasion by looking back at that performance in a special entry to the Almost There series…

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Michael O'Connor and the costumes of “Ammonite”

by Cláudio Alves

As L. P. Hartley famously wrote, "The past is a foreign country; they do things differently there." When looking back at times gone by, filmmakers often find themselves as the intermediates between the audience and that strange land. Most try, in some regard, to be interpreters, translating foreign tongues to recognizable idioms, adapting what came before to contemporary sensibilities.

Others, like Michael O'Connor are more pedagogue than translator. In his work the oddities of the past are shown naked, and it's the audience that learns how to comprehend a new language. The British costume designer has made a name for himself with great feats of period couture. While purposefully austere, the Victorian wardrobe of Francis Lee's Ammonite is one of O'Connor's best creations yet…

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Review: "The Great" on Hulu

by Cláudio Alves

Most dramatizations of history have a difficult, often unbalanced, relationship with facts. Reality is notoriously devoid of narrative structure, which makes taking departures and creative license into an essential crime. The troubles arise when the parameters of adaptation aren't clear, when fiction dresses itself as truth, and confusion blooms from pretension. Hulu's biographical series about the early years of Catherine the Great in Russia is unencumbered by such issues, sidestepping them with irreverence. At the start of each episode, a title card points out that this miniseries is only occasionally based on things that really happened.

The rest of it is hilarious fantasy, a play on history that turns the rise of Russia's empress and reformer into the stuff of romantic comedy. It's a black-hearted farce that's unafraid and unashamed of being silly…

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"The House That Will Not Stand" to become a film

by Nathaniel R

Lynda Gravatt as the widowed matriarch of "The House That Will Not Stand" and her rival played by Marie Thomas

Wanted to make sure you've all heard this very good news. Shadow & Act reports that last year's Off Broadway play The House That Will Not Stand is getting the film treatment. Yours truly was on the Drama League nominating committee last season (the show earned three nominations) and I had the privilege of attending that show early in its run. It was a fascinating play from a time period in history we'd previously heard nothing about...

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Interview: Screenwriter Deborah Davis on her 20 year passion project "The Favourite"

by Nathaniel R

Deborah Davis, first time screenwriter, is up for an Oscar this weekendDeborah Davis recently took home the BAFTA for her work on the screenplay to Yorgos Lanthimos's stunning tragicomedy and Best Picture hopeful The Favourite. Though Lanthimos has previously co-written his own features this time was attached to a project already in progress. Davis and cowriter Tony McNamara than retooled the screenplay to match Lanthimos's vision. The results were magic, as has long since become obvious.

Before the hardware started arriving we hopped on a cross Atlantic phone call with Deborah Davis briefly. We couldn't find much info about her at the time and were reeling from the realization that the dearth of info came from the fact that The Favourite was her very first movie. As it turns out she became a screenwriter specifically to tell this story. And what a story it is.

Our interview, edited for length and clarity follows...

NATHANIEL: I'm still gobsmacked that this is a first screenplay!

DEBORAH DAVIS: That’s correct, yes. By training I'm a lawyer, but I’ve done quite a lot of journalism. I started to research The Favourite 20 years ago, and I was actually convinced that this story about women in power and the female triangle would make a wonderful film, so I went and learned how to write a script...

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