Doc Corner: Beyonce's 'Homecoming'
By Glenn Dunks
Reviewing a concert film can be tricky. The lines between what is merely a good concert with good music can become blurred with what is a good film. A concert film can quite easily be one and not the other (I will save you the examples), but to decipher what is what is an equation that it is all too easy to flub the maths on.
In the case of Beyoncé’s Homecoming, the numbers are a bit easier to put together as the film is more up front about its craft – tricky use of editing (those yellow/pink switches!!), the use of retro cinematography filters (Coachella ain’t Woodstock), scripted narration and so on. However, even when trying to filter out the rhetoric that often comes along as baggage with her, it’s easy to see that Homecoming belongs among the list of great concert documentaries.
It’s a joyous and exciting collage of sound and image from a moment in cultural history, a captivating two hours and 17 minutes.