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Entries in Horror (388)

Monday
Jul152019

MidSommar is more fun to relive than to watch

Every time we begin to doubt A24's ability to remain the freshest and funnest and most reliably high quality distributor, they remind us to continue in the faith. Look, for example, at this brilliant insanity they've cooked up to promote MidSommar...

You may have seen that already but we're sharing it as an excuse to discuss the movie again.

Though it's no secret that your host here at The Film Experience is not a fan of the movie (hear the podcast discussion) Murtada was correct in his assertion that the film has inspired some great critical writing. Whether you love the movie like our own Chris Feil or dislike it, like me, it's quite easy to enjoy after the fact. It's already inspiring great fan art, silly memes, and fine critical writing. CONSIDER....

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Sunday
Jul142019

Review: "Crawl"

by Tony Ruggio

Alexandre Aja is a filmmaker who doesn’t get enough credit for the grimy thrillers he’s been putting out since High Tension in 2003. Piranha 3D is modern camp at its finest and his remake of The Hills Have Eyes is the rare remake to outdo the original. His latest, Crawl, is yet another example of his way with water-bound horror, an imperfect creature feature that takes itself a wee bit too seriously, but nevertheless delivers the gory fun goods that have defined his work...

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Monday
Jul082019

Showbiz History: Battleship Potemkin, Fantastic Four, and Kevin's Bacon

Ten random things that happened on this day (July 8th) in film history for your edification or amusement

1905 The mutinous soldiers of the Russian battleship Potemkin surrender to Romanian authorities. The event later becomes the subject of one of the most influential films ever made, Sergei Eisentein's Battleship Potemkin (1925).

1907 Zeigfeld stages the very first "Ziegfeld Follies" on a New York theater roof. The elaborate theatrical revue becomes a showbiz institution and the subject or setting of major movies, most famously the Best Picture winner The Great Ziegfeld (1936) and the Best Actress winning Funny Girl (1968)

After the jump Cary Grant, Kevin Bacon, Fantastic Four and more...

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Sunday
Jul072019

Podcast: MidSommar & Wild Rose

with Murtada Elfadl, Nathaniel R, and Chris Feil

 

Index (56 minutes)
00:01 A spoiler-filled discussion of Ari Aster's new horror film MidSommar starring Florence Pugh and Jack Reynor. We have three different opinions about its value.
38:10 Tom Harper's Wild Rose. You've seen this musical drama before but three performances by Jessie Buckley, Julie Walters, and Sophie Okonedo and the music (the finale song is by Mary Steenburgen!) elevate it. 
50:00 Lots of randomnees including Almodóvar movies, bad television, and future movies we're looking forward to including The Farewell and Once Upon a Time in Hollywood.

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Reading Assignments
Chris Feil's MidSommar review
"The End of Empathy" -Andrew Kendall on MidSommar
Halfway Mark Actresses - Nathaniel's fav performances of 2019
Nick's VOR ratings -an explanation

 

MidSommar & Wild Rose

Tuesday
Jul022019

Review: MidSommar

by Chris Feil

Ari Aster’s sunbleached hellscape MidSommar opens with a horrific tragedy, a shocking act that has nevertheless long been grimly foretold for Dani, a depressed collegiate played by Florence Pugh. What unfolds for her in the rest of the film feels as projected by the warning signs around her and as cataclysmic. No, not the ominous surroundings of her European countryside getaway. She’s in a relationship doomed to collapse.

Though Dani’s imminent breakup with Christian (Jack Reynor) gets stalled by this horrible event, she suddenly finds herself slipping into his vacation plans with his begrudging friends. Promised a once-in-a-lifetime folk traditions in the isolated home village of one of his bros, the group descends upon the Hårga of Hälsingland looking to get a little stoned and enjoy some cultural tourism. Once there, Dani’s already established isolation in the group (and her relationship) intensifies from her grief and the increasingly strange rituals in which they participate. Lines are crossed early, but for reasons that feel insignificant in the end, they still stick around.

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