Showbiz History: "Roots" takes America by storm and Tom Cruise nabs a "Magnolia" win

7 random things that happened on this day, January 23rd, in showbiz history

1962 François Truffaut's new wave classic Jules et Jim is released in France and Canada. It makes it to the US a couple of months later though it's not immediately embraced in the US. In the UK it's a different story and the film receives two BAFTA nominations: Best Film and Best Foreign Actress... 

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Year in Review: Horror Actoring of 2019

by Jason Adams

Since it's the second to last day of 2019 and we already named our "10 Favorite Horror Actresses of 2019" last week I figured I'd give us a last second bonus and shed some affection on the best fellas of the year. I know, I know, we're all all more inclined towards favoring the actresses... well, so's the genre to be frank. Horror really does favor female stories and experiences, and it was I will admit much easier to come up with last week's list. Besides the magnificent duo that anchors my favorite movie of the year I had to dig a little deeper for this one. But once I began rifling around I managed to uncover some gems...

Willem Dafoe & Robert Pattinson in The Lighthouse 

When forced to choose between the two (and no thanks to Awards Season I have had to here and there) I tend to choose Dafoe, but only because his magnificent to-the-moon work is more straightforward... as straightforward as anything is in this topsy-turvy madhouse of a movie, at least. Pattinson's work is trickier -- his accent and behavior is all supposed to be wobbly, as his character's unformed; a liar trying to pour himself into a new shape. But make no mistake these are the two best male performances of 2019 slapping against each other in slippery tandem.

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Retcon this, link

• Vulture are Spider-Man Far From Home and Call Me By Your Name the same film? (hilarious read)
• IndieWire upsetting account of turmoil behind the scenes of Big Little Lies season 2 as Andrea Arnold's vision was thrown aside during post-production. Well, we knew it didn't feel like an Arnold production so here's why
• Hard Drive "J.K. Rowling reveals that you, the reader, were gay all along" (this is a few months old but I LOL'ed so much I had to share icymi) 

more after the jump including Mindhunter, Disney's global dominance, Jack Reynor and Gus Kenworthy...

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Podcast: MidSommar & Wild Rose

with Murtada Elfadl, Nathaniel R, and Chris Feil

 

Index (56 minutes)
00:01 A spoiler-filled discussion of Ari Aster's new horror film MidSommar starring Florence Pugh and Jack Reynor. We have three different opinions about its value.
38:10 Tom Harper's Wild Rose. You've seen this musical drama before but three performances by Jessie Buckley, Julie Walters, and Sophie Okonedo and the music (the finale song is by Mary Steenburgen!) elevate it. 
50:00 Lots of randomnees including Almodóvar movies, bad television, and future movies we're looking forward to including The Farewell and Once Upon a Time in Hollywood.

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Reading Assignments
• Chris Feil's MidSommar review
• "The End of Empathy" -Andrew Kendall on MidSommar
• Halfway Mark Actresses - Nathaniel's fav performances of 2019
• Nick's VOR ratings -an explanation

 

MidSommar & Wild Rose

Review: MidSommar

by Chris Feil

Ari Aster’s sunbleached hellscape MidSommar opens with a horrific tragedy, a shocking act that has nevertheless long been grimly foretold for Dani, a depressed collegiate played by Florence Pugh. What unfolds for her in the rest of the film feels as projected by the warning signs around her and as cataclysmic. No, not the ominous surroundings of her European countryside getaway. She’s in a relationship doomed to collapse.

Though Dani’s imminent breakup with Christian (Jack Reynor) gets stalled by this horrible event, she suddenly finds herself slipping into his vacation plans with his begrudging friends. Promised a once-in-a-lifetime folk traditions in the isolated home village of one of his bros, the group descends upon the Hårga of Hälsingland looking to get a little stoned and enjoy some cultural tourism. Once there, Dani’s already established isolation in the group (and her relationship) intensifies from her grief and the increasingly strange rituals in which they participate. Lines are crossed early, but for reasons that feel insignificant in the end, they still stick around.

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