Cannes at Home: Day 1

by Cláudio Alves

Every year, we cinephiles not lucky enough to be in Cannes at the time of the festival, mope around for two weeks, checking on critics' coverage, drowning in FOMO. Well, at least that's what I do. Not so this year. From now until the Closing Ceremony, let's check out past works from the cineastes presenting features at this year's festival. We might also take a look at some of the older flicks getting a new day in the sun thanks to such sections as Cannes Classics and Cinema à la Plage. Only films available to watch from home will be considered, of course. 

With all that out of the way, let's dive in and explore the cinematic gems on this first day of our housebound international film festival…

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"Crouching Tiger" and the Foreign Language Films of 2000

In preparation for the next Smackdown Team Experience is traveling back to 2000. 

Juliette Binoche and Jack Valenti announcing Best Foreign Language Film.

by Juan Carlos Ojano

Coming into the 73rd Academy Awards, the results of the Foreign Language Film category must have felt like the biggest lock of the night (this writer can only assume based on hindsight since he was only a five-year old bébé at the time). Crouching Tiger, Hidden Dragon was the perfect storm when it hit American audiences. The film came from an established filmmaker, Ang Lee, who had made several critical and commercial hits in English and otherwise, the storytelling was tailored to better suit Western sensibilities, it featured international stars known to the English-speaking film market, it received rave reviews and enormous box office returns, and it was both partially funded and widely distributed by a major American studio...

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"Better Days" and China & Hong Kong at the Oscars

by Nathaniel

Hong Kong has selected Better Days (available to rent on Amazon), to represent them at the 93rd Oscars. Its director Derek Tsang (also known as Tsang Kwok Cheung) first entered the movies as an actor. But for the last decade the now 41 year old talent has been moving behind the camera. (He's the son of the director Eric Tsang who followed a similar path working both sides of the camera). His film is a contemporary crime drama about a bullied teenage girl and a mysterious thug who protects her. It won 8 prizes at the annnual Hong Kong Film Awards.

The Academy Awards have been notoriously resistant to Asian cinema, apart from a 20th century fixation on Japan. Most Asian countries have somewhere between zero to two Oscar nominations, usually not a number that accurately reflects their status in global cinema. Only in the 1990s when Chinese cinema was all the rage at US arthouses, did Oscar come around and then only for a few short years. After the jump at look at China and Hong Kong's track record with Oscar. We're grouping them together, despite how problematic that is politically, because when it comes to the film industries it can be hard to separate them for us Americans across the ocean. That's because the two countries often share the same directors and movie stars. That's reflected in their Oscar submissions... 

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The Linkman

• New York Times Ben Affleck on leaving The Batman and drinking away the pain and his ongoing recovery
• IndieWire Missing Jennifer Lawrence? The superstar of the mid 2010s will be back in force soon with a new Adam McKay sci-fi comedy Don't Look Up and a PTSD soldier drama that's as yet untitled co-starring Brian Tyree Henry

After the jump Byronic heroes, Mulan, Parasite's win (again), Alamo Drafthouse subscriptions, gay stuff, and two exciting restorations...

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Infinity Tweet

LOL 

A timely reminder for all print-publishing folk errywhere: Beware the Gutter™ pic.twitter.com/ANVMmGKFb3

— Adolfo Aranjuez (@adolfo_ae) April 26, 2018

That's definitely a print lesson lost in the age of online media. After the jump warrior unicorns, a Clouds of Sils Maria / superhero fantasy that made me laugh out loud, Janelle Monae and Tessa Thompson, and various bon mots from twitter in general and film fanaticism in particular... 

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