Best International Feature: Indonesia, Senegal, Thailand

by Cláudio Alves

Tomorrow we'll know which 15 films made the Academy's shortlist in the Best International Feature Film category. In this series of capsule review trios, I've looked at 27 films whose quality spanned from shoddy propaganda to caustic masterpiece. To end in a round number, I'd like to shine a light on three films that are very unlikely to be chosen by AMPAS. Three features whose singular oddness and inspiringly weird ideas deserve to be celebrated, even though one of them can be called faultless. Join me, as I try to describe the wonders of an Indonesian horror flick with historical ambitions, a Senegalese tragedy with Shakespearean proportions, and a Thai coming-of-age tale centered on the ideologies inherent to minimalist interior design…

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Best International Feature: Italy, Palestine & Indonesia's contenders

by Cláudio Alves

We're just two weeks away from knowing the 10 finalists for the Best International Feature Oscar. It'll happen on December 16th and, as we wait away the days, it's a good time to investigate the 91 submitted films. Some of them have already been reviewed here at The Film Experience, like Senegal's Atlantics, South Korea's Parasite and Spain's Pain and Glory, among others. Still, there are many less talked about films that deserve attention too, spanning from nationalities that have been overrepresented in the Academy's history to others that have still to conquer their first nomination.

Think of Italy's newest crime epic, Palestine's offbeat comedy or Indonesia's lyrical reveries through a dancer's memories…

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Three can't-miss movies directed by women on the festival circuit

our continuing adventures at TIFF with a little NYFF thrown in.

This year I made a conscious effort to see films directed by women at the Toronto International Film Festival. Nearly half of the films I screened had women behind the camera! Even though a few of them were unsatisfying, a handful were gems so praise be to TIFF that there were so many to choose from. Other festivals haven't been as inclusive. We've already discussed the tragic romance of Mary Shelley, the visually stunning The Breadwinner, the what-were-they-thinking Kings, the confounding but admirably crafted Zama, the dramatic misfire of Euphoria, and Hungary's strange and totally involving Oscar submission On Body and Soul.

I saved the three best for last. If you get a chance to see Western (playing at NYFF September 30th and October 1st), the Austrian costume drama Mademoiselle Paradis, or a hard to describe miracle from Indonesia called The Seen and the Unseen please take it. Unfortunately none currently have US release dates (though Western does apparently have some sort of stateside distribution planned for 2018). We'll take them alphabetically after the jump...

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