Saving Private Ryan @ 25: Robbed or Not?

by Cláudio Alves

As Oppenheimer enjoys tremendous success worldwide, another World War II movie turned summer blockbuster celebrates a quarter century. Though, of course, while Christopher Nolan's movie ponders history away from the battlefield, Steven Spielberg drops the viewer in the middle of carnage, violence smeared on your face until you can't take it anymore. Yes, it's been 25 years since Saving Private Ryan opened in cinemas, receiving immediate critical acclaim and frontrunner status by the awards pundits at most major publications. Come Oscar night, though, the war story took 'only' five awards. It lost the Best Picture trophy to Shakespeare in Love in an upset that angers many people to this day. 

To mark the anniversary, let's celebrate the film's undeniable qualities, investigate some of its drawbacks, consider its competition at the 71st Academy Awards, and relitigate the controversy. Was Saving Private Ryan robbed? Well…

Click to read more ...

Hit Me With Your Best Shot: WEST SIDE STORY (2021)

by Cláudio Alves

A beautiful shot, full of carnality and color!

Re-watching Spielberg's interpretation of the classic musical made me realize that, beyond the mournful tonalities of Rita Moreno's Valentina, the new West Side Story works mainly as a tragedy of two gang leaders, what they symbolize, and the clashing communities they represent. So, logically, my best shot would have to feature Riff and Bernardo while also showcasing the best aspects of the picture's photographic strategy. Hopefully, it'd also hide some of my personal misgivings with it, too – namely, the overabundance of glaring lens flares...

Click to read more ...

Oscar Volley: Best Cinematography, Half-Locked, Half-Not?

Continuing our Oscar Volley series at The Film Experience. Eric Blume, Elisa Giudici, and Glenn Dunks talk Best Cinematography. 

Greig Fraser shooting Timothée Chalamet in the desert for Dune (2021)

Eric Blume:  Glenn and Elisa, Do we all agree that we probably have two "locks" for Best Cinematography nominations:  Delbonnel for The Tragedy of Macbeth, and Greig Fraser for Dune?  Those feel like two very worthy nominees to me.  While I think Joel Coen's conception of his film is limited and flawed, I admired Delbonnel's execution of Coen's concept, really leaning into that austere Calvinist guilt like we got in Carl Theodore Dreyer movies, and stealing from Sven Nykvist's framing in Bergman movies...yet netting out in its own unique visual scheme to highlight those sets and costumes.  And I thought Fraser's work made Denis Villeneuve's arid sci-fi epic surprisingly sensual, which helped the film (which is dense and heavy) enormously by taking you out of your head sometimes and back to your senses. Do you think both are locks?  What are your thoughts on those two, and their closest challengers... 

Click to read more ...

Poland's Oscar stats and the first 2020 news of the International Feature Race

If you've been reading TFE for any length of time, you already know we're obsessive about Oscar's Foreign Language Film race, last year retitled to Best International Feature Film. Normally we've long since begun talking about the submission list, but 2020 remains an unruly unusual beast. But we do have two pieces of news to share regarding our favourite non-actress based category.

First, we've neglected to mention that Oscar's longer-than-usual release eligibility period has also affected Best International Film...

Click to read more ...

Tweetweek: Physical Media, Cute Dogs, and "Forin Langages"

Forin Langage waited for the old Wizard while smoking his second pipe of the day- which, incidentally, had followed his second breakfast... https://t.co/Zr6VFIPTgi

— Guillermo del Toro (@RealGDT) November 9, 2019

You have to stan Guillermo Del Toro for that hilarious read of a very dumb consumer. After the jump several other curated tweets because they were either amusing or thought-provoking...

Click to read more ...