Horror Costuming: The Skin I Live In

In October, we'll be celebrating the excellence of costume design in horror cinema.

by Cláudio Alves

Pedro Almodóvar's 19th feature harkens back to a time two decades earlier when the Spanish director was one of European cinema's most shameless provocateurs, an enfant terrible willing to rub the face of polite society in utter tastelessness, jolly amorality, and lustful perversity. Adapted from a novel by Thierry Jonquet, The Skin I Live In is a sordid tale that mixes melodrama with horror, handsome mad scientists and beautiful Frankenstein monsters. More than anything, as its title suggests, this is a film about skin and the places people inhabit…

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OTD: Babs, Shirley, and "Cool" from West Side Story

On this very gay day (4/24) in history as it relates to showbiz...

1873 Silent film director Robert Wiene, best known for The Cabinet of Dr Caligari (1920) born in Breslau (Note: other online sources disagree with the IMDb on this birthdate but it's always fun to think about Caligari)

1927 Oscar winning cinematographer Pasqualino de Santis born in Italy. Classics include Romeo and Juliet, The Damned, Death in Venice, and L'Argent

1930 Richard Donner, superstar director/producer of the 1980s, behind films like The Goonies, Lethal Weapon, and the first two Supermans. Apparently retired after 16 Blocks (2006) with Bruce Willis

1931 The Public Enemy starring James Cagney and Jean Harlow was enjoying its opening weekend at movie theaters. It was a big hit, ending in the top ten of its year. Variety claimed it was "low brow material" attempting to be high brow by its craftsmanship. If only critics knew in the moment -- they almost never do even now -- that "low brow" genres regularly produce classics.

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