Richard Glatzer, Co-Director of Still Alice (1952-2015)

Wash Westmoreland & Richard Glatzer. I believe this photo is from around the time of The Fluffer (2001)

Just two minutes after the last post, coincidentally about Still Alice but meant to be a random amusement, I read that Richard Glatzer the co-writer and co-director had died. He had been struggling with ALS for the past few years. If you'll excuse me getting a little sentimental, I'd like to tell you my personal story about him as a way of working through my sadness today.

I can't recall the exact circumstances of our meeting but just after I had moved to New York City in 1999, we began to talk over e-mail. He was quite literally my first online friend who was actually working in movies and television around the time I was trying to launch The Film Experience. If I remember correctly our online friendship was prompted by an interview I had done with Jackie Beat, my all time favorite drag queen, for my print zine (before the website). She had worked with Richard on his first film, the underseen gay indie dramedy Grief (1993). More...

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Your Daily Reminder That Julianne Moore Won an Oscar

Hat tip and Quote of the week to our friend Ali Arikan in Istanbul

Turkish bootlegs don't have time for your bullshit."
-Ali Arikan 

Podcast Finale: The Team Reflects on the 87th Academy Awards

Nick, Katey, Joe and Nathaniel reunite for the podcast season finale. The topic is the Oscars and these are our last words on this year's. The conversation includes but is not limited to:

• Neil Patrick Harris strong opening but then...
• Our choices for MVP from the audience
• Musical numbers - good but too many?
• Who should host next time?
• Power Trio: Canonero, Lubezki & Desplat
• Obsessing over Julianne Moore's speech
• Eddie Redmayne's glee
• Nick's John Travolta prediction
• Which of the nominees will be nominated again quickest?

And of course we play our favorite game of suggesting pairings of actors and directors. 

Juli is a little embarrassed at our obsessing on her 

Please to enjoy and continue the conversation in the comments. You can listen at the bottom of the post or download from iTunes.  

87th Oscars Reviewed

Box Office: You Must "Focus"

I kept thinking of Agent Carter's Russian villain whenever I saw the trailer to Focus, because he said "you must focus" every other line in that series while he performed his instant super-hypnosis. Which was ridiculous but the show is really fun. Anyway: Will Smith! The media tour around Focus kept focusing (sorry) on how Will Smith is not concentrating on box office now! and Box Office doesn't define him! so they were obviously prepping for disaster should it happen. But no disaster. He's still bankable even if a $19 million opening isn't what he used to be able to carry off with ease. I wonder if the presence of Margot Robbie helped? Or maybe people don't even realize yet that it's "that hot girl from Wolf of Wall Street".

The other new wide release was the horror film The Lazarus Effect which did over $10 million. 

In news we care more about Julianne Moore entered the top ten for the first time with Still Alice during her Oscar-winning weekend and at $12 million already the Alzheimers drama is turning into quite a little hit for her. As beloved as she is, she's not a box office star so this is a major success --along the lines of a Far From Heaven. Unfortunately her other movie, the David Cronenberg picture Maps to the Stars, tanked in limited release. I'm sure the distributor utterly confused its potential audience by holding it in reserve during those weird intermittent bursts of buzz it had for well over 9 months and then releasing it quietly while everyone was concentrating on her other movie. But she's marvelous in that one, too.

The Irish thriller '71 starring Jack O'Connell and set during 'The Troubles' also opened in very limited release (reviewed) and it's very good so you should see it. 

What did you see this weekend? Or maybe you just stayed in to bingewatch House of Cards?

The New Oscar Actress Hierarchy - 33 Most Beloved Women

This is your daily reminder that Julianne Moore is now an Oscar winner!

 I thought it might be fun to revise the Oscar Acting Hierarchy which I did once very long ago, I believe in connection with the rapid rise of Kate Winslet through the ranks. 

What follows is a List of 33 34 All Time Favorite Actresses of Oscar... restricted to women with 5 or more nominations. Only the acting statistics are accounted for so Emma Thompson, for example, is not ranked. If you included her screenplay win or had she been nominated for Saving Mr Banks last year than she would have been on the list. If you counted non-acting nominations, you'd also see Shirley Maclaine jump a rank as she was nominated for documentary once. Now that virtually every major star is a producer these types of extra nominations stats are going to get progressively murkier in Oscar lists of the future so we're opting not to include them. 

How the ranks were determined. Number of nominations determines general placement. Once that's established wins are most important. In the event that someone has the same exact stats in nominations and wins, the tiebreaker factor in rank is that lead counts more than supporting. If the tie stubbornly remains the tie is broken by endurance (thus Vanessa Redgrave beats Kate Winslet though they have the exact same stats because her nominations are spread across 26 years instead of 13). Further mitigating factors: Three statues is so uncommon that it gives the actress a phantom extra nomination in terms of ranking (thus Ingrid Bergman trumps Geraldine Page). Honorary statues (Oscar or Jean Hersholt) give the actress a phantom extra boost with the same affect as an additional nomination and win (thus Liz Taylor jumps Jessica Lange)... unless she never won a competitive Oscar in which case it only counts as a phantom win or nomination (thus Kerr cannot pole vault up to do battle with Lange or Blanchett) which of those to be determined by the gatekeeper (yours truly). In the event that someone has multiple wins they may vault over the next immediate rivals if said rivals have never won a competitive Oscar and/or half or more of their nominations are in supporting (thus de Havilland trumps Glenn Close & Thelma Ritter despite having less nominations but can't displace Kate Winslet. This also accounts for two women with only 4 nominations entering the 5 nomination only "Most Beloved" ranks.) 

OSCAR'S HOLY TRINITY 
And Thirty More Royals 
after the jump

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