Other women who should have won Best Director

by Cláudio Alves

At this year's Oscar ceremony, Chloé Zhao became only the second woman in Academy history to conquer the Best Director prize. The second one in 93 years. She follows in the steps of Kathryn Bigelow, whose Hurt Locker, like Nomadland, also won the Best Picture trophy. As a longtime proponent of the importance of women directors in film history, I rejoice at this result. However, the victory is bittersweet, a reminder of the chronic lack of recognition for these filmmakers. Many other women have deserved to win the Best Director Oscar across the years…

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with six you get linkroll

• Anna Biller would like you to stop calling old movies "feminist" because that has specific meaning. It does not just mean 'has great female characters' which many old movies do
• Deadline Julie Dash (Daughters of the Dust) is working on a biopic about the early life of Rosa Parks
• AV Club Ian McKellen: Playing the Part, is a new documentary out later this year. Apparently it made a festival appearance last year and is planning a unique release of some kind. 
• Vulture an interview with the legendary Bernadette Peters. She sounds like a tough woman to interview but somehow her constant reticence about the question and obvious withholding sounds charming rather than nightmarish
• Pride Sasha Lane (American Honey) comes out as gay
• Show-Score I wrote this piece (experimenting with the human interest profile format) about two women who travelled together inspired by the Broadway musical Come From Away. Hope you like.

A Year with #52FilmsByWomen

Year in Review. Every afternoon, a new wrap-up. Today Glenn on his year with #52FilmsByWomen

The hashtag ‘52FilmsByWomen’ was started by Women in Film as a means of getting people to consciously watch at least one film a week directed by a woman. It seems like a simple mission considering the number of films many of us watch for both work and pleasure, but I have no doubt that of the 10,000+ people who pledged to do it, many didn’t reach the goal. That’s all right, though, because I saw enough for two.

No, really. In 2016, I watched 105 titles including feature films, shorts, and documentaries. They cover classics, new releases, hidden gems, animations, comedy, horror, and from all over the world. Here are...

TEN OBSERVATIONS FROM MY YEAR OF #52FILMSBYWOMEN

Subverting Toxic Masculinity
We don’t just want more women making films for their fine-tuned insights into the lives of women – Kelly Reichardt’s Certain Women and Anna Rose Holmer’s The Fits being perhaps the most obvious examples among this year’s releases that I saw – but also for their unique takes on men and masculinity.

Look no further for Athina Rachel Tsangari’s Chevalier for a film that couldn’t have been made by a man, but which has so much to say in this year of “toxic masculinity”. What a shame it didn't catch fire with arthouse audiences and award voters. I wasn't too taken by Tsangari's Attenberg, but I responded to Chevalier more than any of Yorgos Lanthimos' works so far, so make of that what you will.

I’ll Go Anywhere with Andrea Arnold
From the surveilled streets of Scotland in Red Road, the council estates of Essex in Fish Tank, the moors of Wuthering Heights, and now, apparently, the American Midwest...

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