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Entries in Kitty Green (4)

Wednesday
Mar182020

Doc Corner: The Top 100 Documentaries of the Decade

By Glenn Dunks

For those paying attention—and no offence if you haven’t—I have been counting down my top 100 documentaries of the decade. Okay, so it’s technically 110. Shut up, I couldn’t help myself. Check out the list with snap comments for each title on Twitter, or the list is also on Letterboxd. But if you don’t want to make a single click then after the jump you'll get the whole list with chosen highlights and links to full reviews. And just in case you were wondering... number 101? Exit Through the Gift Shop.

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Friday
Jan312020

"The Assistant" is complicit and so are we

Here's Ren Jender on a Sundance movie that moved straight into theaters this weekend...

Writer-director Kitty Green's The Assistant (now open in NYC and LA) is a Jeanne Dielman-like examination of a woman who is the newest assistant in Harvey Weinstein's office (though he's never named) in the time before the revelations of his rape and harassment of women came to light. The film delves into how serial sexual harassment makes the entire office (and of course the industry) complicit, even when individuals try to do the right thing. 

The title character Jane (Julia Garner) is not clueless and she doesn't lack a conscience...

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Tuesday
May092017

Doc Corner: An American Tragedy in 'Casting JonBenet' 

By Glenn Dunks

Casting JonBenet is a dozen films in one. At only 80 minutes, that’s a lot; and yet it never feels over-stuffed, overwrought, or like it is collecting and abandoning subplots (a frustrating trend of some recent documentaries). At its most basic level, Kitty Green’s film is a documentary about the casting of a film about JonBenet Ramsey. It is also a documentary about the Ramsey family and an investigation, of sorts, into the case. It’s a prank, a look into the making of a (seemingly) fake movie. But that's not all...

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Friday
Nov062015

IDA Nominations Honor Amy, Kurt, Nina and Marlon

Glenn here. The nominations and specialty category winners were announced today for the 31st International Documentary Association Awards. It's a line-up heavy on artist portraits, Ukraine, and films heavy on the use of archive footage. Last year's IDA list featured three eventual Oscar nominees (Finding Vivian Maier, Salt of the Earth and the winner of both Citizenfour), but other years since 2010 the number has only been two. Except 2011 when the IDA people went way off course (in the best possible way) and awarded Patricio Guzman's Nostalgia for the Light with no eventual Oscar nominees in their list (Guzman's The Pearl Button didn't find favor from them this year, though).

I see no reason why this year won't follow that ratio status quo. But firstly let's take a look at the nominees.

BEST FEATURE

  • Amy
  • The Black Panthers: Vanguard of the Revolution
  • Listen to Me Marlon
  • The Look of Silence
  • The Russian Woodpecker
  • What Happened, Miss Simone?

I am extremely pleased to see the excellent Russian Woodpecker cited here. If Oscar could pay attention to that superb examination of paranoia amid the Ukrainian revolution then I would be more than ecstatic. And if you have the chance to see it then do yourself a favour. But what about the rest...

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