Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Lamb (6)

Wednesday
Aug242022

The Nordic Council Film Prize Nominees

by Nathaniel R

The news just keeps coming for prestigious cinematic honors outside the US. Swiftly on the heels of the EFA longlist and Norway's Amanda Awards, the Nordic Council Film Prize has announced its five nominees for 2022...

Click to read more ...

Tuesday
Dec282021

Year in Review: Best Screen Animals from Shark to "Pig"

by Team Experience

Animals didn't always have an easy go of it in 2021 movies. Consider Jonathan Larson's elusive super-neglected cat in tick, tick... BOOM!, wondering if its box would ever again be cleaned. Or, worse, those dalmations in Cruella demoted from loving titular characters to growling weapons. And it's best not to think too long on the fate of either bunny we meet in The Power of the Dog

But the following animals were luckier (for the most part) winning enough screen time and giving off enough personality to become an essential part of their movies, so let's talk about them...

Click to read more ...

Saturday
Dec112021

"Quo Vadis, Aida?" and "Flee" win big at the European Film Awards

by Nathaniel R

The years bleed together in the world of movie awards. Quo Vadis Aida?, the Bosnian drama, premiered at the Venice Film Festival in 2020 before receiving an Oscar nomination for Best International Feature Film that same season. It lost the Oscar to 2020's European Film Awards champ, Denmark's Another Round. Now, a full movie awards season later, it has succeeded its once-vanquisher to also take the top prize at the European Film Awards. What's more two British Oscar winners last year, Promising Young Woman and The Father also picked up key prizes. The only Oscar hopeful this season that arguably got a boost from the European Awards was the animated documentary Flee, which triumphed in both of its categories, Animated Feature & Documentary Feature, a double-whammy it surely hopes to achieve again at the Oscars. You can watch the ceremony here if you're so inclined.

 

This has no bearing on the Oscars of course, since none of those films are eligible but it is a mild eyebrower raiser that France's Titane, Finland's Compartment No 6, Italy's The Hand of God, and Norway's Worst Person in the Worldall of which are award-winning presumed threats to Oscar nominations this season, could beat the year-old Bosnian film in any of their categories. Complete list of winners after the jump...

Click to read more ...

Wednesday
Oct202021

Best International Film: Brazil's "Private Desert", Iceland's "Lamb" and more...

Since I last piped up on the Best International Feature Film race at the upcoming Oscars, Italy released their finalist lists, and the following five countries have also picked their ponies:

BRAZIL
They're sending Aly Muritiba's Private Desert about a suspended policeman who is looking to meet his internet love. She's vanished but he finds a man who offers to connect the would-be lovers. It premiered at Venice...

Click to read more ...

Monday
Oct112021

Box Office: 007 Money and 2021's Highest Grossers

All you need to know about this very strange ecosystem shift in moviegoing is that an Icelandic language film (Lamb) made the overall top 10 despite having a per screen average of just $1,715. These are odd times we're living in when only blockbusters are making bank and even those aren't operating at close to full strength. There used to be 25-30 movies in wide release at any given time but there were literally only 8 in release this weekend here in the US. One wonders how the economics will all play in the future decade since streaming isn't as profitable as the traditional theatrical market and films have always been budgeted for pre-COVID realities. Will we see production values decrease in the next decade as Hollywood starts trying to make things on the cheap or just much higher subscription prices for streaming services?  What did you see this past week/weekend? More notes are after the jump.

Weekend Box Office
October 8th-10th
🔺 = new or expanding / ★ = recommended
WIDE RELEASE
PLATFORM TITLES
No Time To Die Lamb
1 NO TIME TO DIE 🔺  $56 Deborah's Review
1 LAMB 🔺 $1.0 in 583 theaters Cannes Capsule
2  VENOM LET THERE BE CARNAGE  $32 (cum. $141.6)  2 THE JESUS MUSIC [DOC] $150K in 270 theaters (cum. $857k)...

Click to read more ...