Hit Me With Your Best Shot: Happy Together (1997)

by Nathaniel R 

I first saw Wong Kar Wai's Happy Together at an arthouse cinema in Utah where I went to college. Though enthralled by its saturated colors and amazing performances, it left me very depressed. I had only been out for a couple of years, was wildly inexperienced with relationships, and chafed a bit at "sad gays" in the movies. Mostly because they were the only kind of cinematic gays regularly on offer back then. Nevertheless I devoured the "New Queer Cinema" of the 1990s wherever I could find it (i.e. arthouse theaters or Blockbuster rentals). And this particular movie lingered. I thought about it often. Seeing it again in 2022, twenty-five years after its Cannes premiere, it felt brand new. It wasn't... but 25 years of life experience later, it was. It wasn't devoted to gay misery as I'd remembered but merely a fascinating emotionally precise account of a particular romance. Not that the title isn't wildly ironic.

"Starting over means different things to him," is one of the saddest lines ever spoken in a movie and it hits early...

Click to read more ...

Cláudio's Best Shot Pick: Happy Together (1997)

The next episode of our series, 'Hit Me With Your Best Shot,' arrives Thursday night. Since the Cannes Film Festival is around the corner, it's focused on Wong Kar Wai's Happy Together, which screened at the Croisette 25 years ago. You still have time to participate! Here's Cláudio's entry.

In film criticism, few expressions vex me more than the old "style over substance" adage. To presuppose the audiovisual stylings of any picture should be subordinate to its text, thus taking for granted that true depth exists only in narrative rather than form, is a fundamental misunderstanding of cinema as an art. Such matters come to mind because the works of Wong Kar Wai represent one of the best counterpoints to these erroneous wisdoms. The director's style is indissociable from whatever meaning, narrative, or emotion the viewer can take from his films. That is especially true of Happy Together, one of his masterpieces and one of my all-time favorite pictures…

Click to read more ...

1991: Carina Lau in "Days of Being Wild"

by Nick Taylor

Happy Birthday, Wong Kar-Wai, who turned 62 years old last week, something that surely feels impossible for anyone younger than 61 to really consider for themselves! The celebrated auteur is known for his indefatigable sense of coolness and poise, doing for delicately conjured yet passionately felt romanticism what Ingmar Bergman did for psychological anguish. Especially in certified masterpieces like In the Mood for Love and Happy Together but even in lesser works like My Blueberry Nights, Wong’s sense of style is refreshing to sit with and inimitably his. And so, in celebration of our beloved birthday boy and the many gifts he’s given us across his career, I’m here to discuss Days of Being Wild, and the bewitching, jewel-toned performance of Carina Lau...

Click to read more ...