Weekend @ 10: A Modern Gay Classic

by Cláudio Alves

Ten years ago, Andrew Haigh's Weekend opened in American theaters after a long travail through international film festivals. The director's second feature put his name on the map and opened up an artistic path that would bring us such precious cinematic gems as 45 Years and Lean on Pete, as well as the televisual delights of Looking. Contextualizing the work in such ways makes it seem even smaller than it already is, a miniature of gay urbanite life and the emotional ties that blossom from a night of casual sex. Despite the limited scope of all his projects, everything Haigh has done since Weekend feels much larger, more conspicuously ambitious. And yet, a decade later, that small British indie still stands as the director's most remarkable achievement…

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Review: Jessica Chastain and those "Eyes of Tammy Faye"

By Nathaniel R

A makeup artist fumbles, discovering she can't undo what Tammy Faye hath wrought. It's not a matter of removing the makeup and starting fresh as some of it is tattooed right on. The former televangelist's lips are permanently lined and the raccoon eyes are there to say; mascara as monument. Was this scene at the beginning or the end of the new biopic The Eyes of Tammy Faye? One can never remember with framing devices that flashback to tell you the whole story that got us there but it hardly matters. The point that comes across is not so much how we got there -- though perhaps the filmmakers think go given the framing device-- but that Tammy Faye's clown makeup bioqueen persona is an absolute. She didn't will into it existence so much as uncover and reveal its eternal nature. 

Is this laying it on too thick? The prose, I mean, not the mascara. Of course! But "too much" is just right for anything Jim and Tammy Faye Bakker related...

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Denmark names three Oscar finalists including "Flee"

by Nathaniel R

As we've long noted for the rest of the online world that doesn't pay super close attention to this category even if they'll dutifully share press release, Denmark is currently Oscar's favourite country (statistically speaking). In the past 12 years they've been nominated six times, won twice, and also made the finals twice more without actually snagging the nomination. That's the best run of any country in quite a long while in this category. They're the defending champion since the brilliant boozy Another Round took the gold at the 93rd Oscars. It's rare for countries to win this category in consecutive years but Denmark could given their hot streak. They've actually done that once before (1987 & 1988 with Babette's Feast and Pelle the Conqueror). Here are their three finalists for submission this time around...

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Luca Guadagnino @ 50: A Trilogy of Desire

Happy belated 50th to Luca Guadagnino.

by Cláudio Alves

Like many a director in film history, Luca Guadagnino's cinema is characterized by common themes, through lines transversal to all his works, though more evident in some than others. During the release and promotional tour of Call Me By Your Name, the Italian auteur came to realize that his last three films could be construed as an unofficial trilogy of desire, though he later repudiated the notion. Nevertheless, akin to Bergman's Silence of God tercet, Guadagnino's I Am Love, A Bigger Splash, and Call Me By Your Name complete a three-part thesis in cinematic form. Instead of the Swedish master's spiritual dread, we have a multifaceted portrait of human desire as a force so great it's both overwhelming and life-changing, magical and terrifying, a blessing, a curse, perchance a deliverance…

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Doc Corner: A 'Whirlybird' over Los Angeles

By Glenn Dunks

There is a shot about 30 minutes in Matt Yoka’s Whirlybird that made me gasp. Not necessarily because of how shocking or surprising it is, but because of the decision-making process that must have occurred to choose to include it. It took what was up until that point a nice trip through Los Angeles news history and made me view the rest of this documentary through different eyes. The shot in question is live news footage taken from a helicopter over L.A. with a network chyron that reads "Rock Hudson Battles AIDS” while footage shows the actor being transported to hospital surrounded by medical staff.

It is hardly surprising that anybody would film this. What is surprising is that Yoka’s film doesn’t seem all that fussed about addressing it. In fact, at one point news camera hounding of Madonna and Sean Penn is used as a journalistic punchline in an effort to boost the image of what were essentially paparazzi with a bigger budget. Which speaks to the whole film, too, really...

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