Doc Corner: A 'Whirlybird' over Los Angeles

By Glenn Dunks

There is a shot about 30 minutes in Matt Yoka’s Whirlybird that made me gasp. Not necessarily because of how shocking or surprising it is, but because of the decision-making process that must have occurred to choose to include it. It took what was up until that point a nice trip through Los Angeles news history and made me view the rest of this documentary through different eyes. The shot in question is live news footage taken from a helicopter over L.A. with a network chyron that reads "Rock Hudson Battles AIDS” while footage shows the actor being transported to hospital surrounded by medical staff.

It is hardly surprising that anybody would film this. What is surprising is that Yoka’s film doesn’t seem all that fussed about addressing it. In fact, at one point news camera hounding of Madonna and Sean Penn is used as a journalistic punchline in an effort to boost the image of what were essentially paparazzi with a bigger budget. Which speaks to the whole film, too, really...

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Streaming Roulette, August: Pray away those freaky requiems

New month. Time for another round of Streaming Roulette where we point out a handful or two of random titles that are newly streaming and just for fun, freeze frame them at totally random places in the scroll bar...

[No dialogue. Confused, looking around.]

FREAKY (2020) on HBOMax
This must be when the serial killer and the teenager find themselves in each others bodies, in this horror comedy riff on the Freaky Friday template. We didn't see this one (did you?) but are a tiny bit curious. Tangent: Do you ever wonder how actors and musicians feel when they watch movies and see their own faces as set decoration, on character's bedroom walls? (Hi Brendon Urie.)

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The Queer Palm goes to "La Fracture"

by Nathaniel R

Catherine Corsini celebrates her Queer Palm win

The Queer Palm jury this year was led by actor Nicolas Maury (Call My Agent), and included Josza Anjembe, Vahram Murayan, Roxane Mesquida, and Aloïse Sauvage. They've given their prize to La Fracture / The Divide by Catherine Corsini (reviewed here) which is about a fifty-something lesbian couple (inspired by Corsini's own relationship) who are trying to survive a night in a chaotic hospital during a yellow vest protest. The film is also rumored to be a contender for a prize tonight when Spike Lee's jury hands out their awards in the main competition.

The other eligible feature films vying for the unofficial prize were...

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Cannes Diary #08: Huppert, Damon, "Titane", and peculiar babies...

by Elisa Giudici

Today a dream of mine came true: I was finally able to attend an event with Isabelle Huppert. She is quite popular on the film festival circuit but lately she is working in theatre a lot (right now some Chekhov, just like the protagonist of Drive My Car), so I was so excited to finally meet her at the "Rendez-vous avec Isabelle Huppert" event. Let me fangirl a little. She is truly a charismatic person with a serious attitude and kind smile. Her event had two moderators but they were quite nervous (I totally understand!) so the conversation was a bit repetitive if still interesting. The most iconic moment was when someone asked her if she ever experienced stage fright or if she was ever a little scared by the legendary directors she worked with. She immediately answered that she never feels intimidated by anyone. It is an attitude she is not interested in exploring; I wish my brain would listen and be more like that! On Haneke, she said that he obsesses over realistic movements, and gives actors a lot of boundaries but almost never any advice  on how to act...and she likes it that way,

In these kind of events moderators are crucial to create an interesting dialogue. I am not that much into Matt Damon's filmography but I found his Rendez-vous a memorable experience, too, because the interviewer prepared the list of questions well so that the whole event was engaging. Of course Damon's friendly attitude helped. He is a charming person and knows how to make an audience happy revealing small inside details from his long carrier. 

On to the movies...

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Queersighted: Breaking Taboos on the Criterion Channel

by Cláudio Alves

O FANTASMA (2000)

For the past few years, the Criterion Channel has highlighted taboo-breaking pictures in queer cinema with their series "Queersighted." For its fourth edition, programmer Michael Koresky invited film critic K. Austin Collins to select and discuss a series of works that look at film history through a decidedly queer lens. This year's installment features movies that go from 1930s Hollywood productions to 2000s Portuguese provocations. Controversial and wildly transgressive, these films run a gamut of genres and formalistic approaches, showcasing how it's possible to push the envelope both from within the Hays Code-abiding studio system and the vanguard of New German Cinema.

Before saying farewell to Pride Month 2021, join us in exploring ten films presented in this program...

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