For this weeks edition of Doc Corner we are celebrating the release of Jeff Nichols' Loving by looking back at the documentary that was quite clearly a heavy inspiration on it.
That Richard and Mildred Loving often got overlooked for their unwilling but necessary part in the civil rights movement is hardly surprising when you watch The Loving Story, Nancy Buiski’s sober and low-key documentary from 2011. The pair, quiet and dignified, do not make for the sort of protagonists that make traditional narratives – a comment that has come up throughout the festival release of Jeff Nichols’ feature adaptation. Theirs is a story of quiet suffering; their victory an almost anticlimactic ‘duh’ moment that it’s easy to see why it has taken so long to get films made about them.
But it is that very reserved nature that makes their story equally compelling. Mildred, especially, is a woman whose soft-spoken nature so often goes unseen by storytellers throughout moments of great historical upheaval. Buiski’s film doesn’t try to pad it out with flash and narrative diversions. Instead it lets the humanity of its story and the relevance of its themes permeate across wisely assembled talking heads (including the couple’s only surviving child, Peggy) and a treasure trove of fascinating archival footage, newsreels, and family photographs that makes up the bulk of the film’s short yet resourceful runtime.
The entire story of the Loving v Virginia case holds relevance today in the face of race and same-sex marriage. Their story is one of barbaric cruelty where they were subjected to being woken up in the middle of night with flashlights in their faces, their relationship opened up to the inspection and scrutiny of hate-filled bigots in positions of power.
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Monday, November 14, 2016 at 3:07PM 
What did you see this weekend? Doctor Strange (reviewed) continued to be the top draw at the box office tower but Arrival had a strong debut for a thinking person's non-action oriented sci-fi epic. (It's Amy Adams best headline opening since Enchanted !) But will mainstream audiences like it or will we see a big drop next weekend after word gets out that it's, well, a thinking person's movie? Will Oscar come calling or will they prefer the less genre-oriented fare this year? What's your best guess? Meanwhile in limited release...
