Spider-Man: Into the Spider-Verse, Reviewed
Every Saturday this month, Tim will be taking a look at one of the films submitted for the Best Animated Feature Oscar.
Fans of Marvel's iconic hero Spider-Man have had a packed 2018, between Tom Holland's third big-screen turn as the character in Avengers: Infinity War and Tom Hardy's role as the antihero Eddie Brock in the conspicuously Spider-Man-less Venom. But the best has very much been saved for last, in the form of Spider-Man: Into the Spider-Verse, a new animated feature that's easily the best Spider-Man movie since Spider-Man 2 (2004) back in the distant early days of the modern superhero movie boom.
The film is the first big-screen adventure of Miles Morales (Shameik Moore), who first appeared in comic books in 2011 as a new Spider-Man following the temporary death of Peter Parker. He's a Brooklyn teenager, awkwardly fitting into life at an elite boarding school, living in perpetual chagrin at the overbearing authority of his cop dad (Brian Tyree Henry), and expressing himself through graffiti art (one of the things his dad is specifically overbearing about). And if that was all he ever was or did, Into the Spider-Verse would still put up a good argument for itself as a more than worthy movie...