TIFF ’23: In “Seagrass,” marriage is a fragile ecosystem
Down the Pacific coast, there’s a place that looks like heaven but is no safe haven. You reach it by boat, sailing over turquoise waves, the wind carrying hopes of healing and promises of solutions to problems that have none. First-time feature director Meredith Hama-Brown and cinematographer Norm Li capture the environment’s full spectrum of color in their new 1990s-set film Seagrass, rendering bleak material beautiful. Skin tones are sun-kissed, while the deepest shadows are cobalt blue. It’s like we’re seeing the shoreline through a painter’s eyes. We’re not.
Rather than the artist’s gaze, we experience a family’s troubled perspective. They’re two girls and their parents, bound to a couple’s retreat where they hope their marriage will find salvation…